### ODT Online Thu, 3 Aug 2017 US company microchips workers
A Wisconsin vending machine company is offering its employees a chance to have a microchip implanted in their hands that they could use to buy snacks, log in to computers or use the copy machine. About 50 employees at Three Square Market have agreed to the optional implant of the chips, which are the approximate size and shape of a grain of rice, said Tony Danna, vice president of international sales at the River Falls-based company. The company, which employs 85, said it was the first in the United States to offer staff the technology which is similar to that used by contactless credit cards and chips used to identify pets. The implants made by Sweden’s BioHax International are part of a long-term test aimed to see if the radio-frequency identification chips could have broader commercial applications, Danna said. Read more
35th America’s Cup match
Race 7: Emirates Team New Zealand beat Oracle Team USA by 12 secs
Race 8: Emirates Team New Zealand beat Oracle Team USA
Team New Zealand lead the first-to-seven series 6-1
“The objective is for 70% of New Zealanders to have access to a drop-off facility for soft plastics within 20km of their home.” –Scott Simpson
### ODT Online Fri, 23 Jun 2017 Recycling for plastic packaging arrives
By John Lewis
All those plastic bags floating around after shopping expeditions can now be recycled under a joint initiative between the retail sector, the packaging industry and the Government. The Love New Zealand Soft Plastics Recycling programme was launched in Dunedin yesterday, and will enable soft plastics and soft packaging such as shopping bags, bread bags, frozen food bags and food wrap to be recycled at the 14 New World, Countdown, FreshChoice, Pak’n Save and The Warehouse stores in Dunedin and Mosgiel. Associate Environment Minister Scott Simpson said the programme was already running in Auckland, Hamilton, Wellington and Canterbury. […] The $700,000 contribution from the Government’s waste minimisation fund was being matched by contributions from retailers and some suppliers, bringing the total project funding to more than $1.6million. […] Cargill Enterprises would collect the recycled plastics from the shops. Read more
Last year I convivially swapped emails with the manager of Centre City New World enquiring about how soon the store would adopt the national soft plastics recycling programme. He kindly immediately contacted FoodStuffs to find out ….well the day has come! Happy customer!
Try this simple test to help identify recyclable plastic material…
“The test is if you can pull it and stays stringy in consistency, it’s fine. But if you can tear it cleanly it is not recyclable.” Stuff
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Soft Plastics Recycling
The Love NZ Soft Plastics Programme is about informing New Zealanders about how to keep plastic bags and packaging out of landfill. Collect all the soft plastics which you use at home, make sure the bags are empty and dry and drop them into the Love NZ Soft Plastics Recycling bins at participating stores.
The project is supported by major brands including Asaleo Care, Ceres Organics, Coca Cola Amatil, Cottonsoft, Fonterra, Frucor, George Weston Foods, Goodman Fielder, Griffins, Hubbards, Kathmandu, Kelloggs, Kimberly-Clark, Lululemon, Mars, Mother Earth, Mondelez (Cadbury), Nestle, New Zealand Post, Pams, Pure Delish, Simplot (Birds Eye), Spicers, SunRice and Wrigleys; Amcor Flexibles, Astron, Coveris, Snell Packaging & Safety with many others committed to joining the programme. Soft plastic bags are not currently collected for recycling by councils because they can contaminate the recycling process. New Zealanders use over 1.6 billion plastic bags in the home every year. The project takes all soft plastic bags including bread bags, frozen food bags, toilet paper packaging, confectionery and biscuit wrap, chip bags, pasta and rice bags, courier envelopes, shopping bags, sanitary hygiene packaging – basically anything made of plastic which can be scrunched into a ball. Customers can bring their used soft plastics back to store and put them in the recycling bin.
### ODT Online Wed, 7 Jun 2017 $20m plan to save factory
By Eileen Goodwin
A bid to save the Cadbury factory in Dunedin is being unveiled today. Jim O’Malley, a Dunedin city councillor, is trying to raise $20 million to keep the factory open on a portion of the site. Mr O’Malley is working in a personal capacity; the Dunedin City Council is not involved in the bid. Mr O’Malley’s plan is to run a public share offer aimed at the general public as well as business. Before launching any share offer, Mr O’Malley has organised a two-week pledge period to gauge interest, starting today. […] Shares in Dunedin Manufacturing Holdings (DMH) would be priced at $50 if the offer goes ahead. A website has been launched – www.ownthefactory.co.nz – to register pledges. […] The plant would make the full range of New Zealand favourites, such as Jaffas and Pineapple Lumps, under licence for Mondelez International. […] Mr O’Malley’s plan differs from that of other parties because it involves acquiring part of the site and the equipment, rather than just agreeing to produce the goods. Read more
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### ODT Online Wed, 7 Jun 2017 Themed hotel still possible: Lund
By Chris Morris
A chocolate-themed hotel could still be built at Dunedin’s Cadbury factory site, even if its backers have to share the space, a Dunedin businessman and city councillor says. The comment came yesterday from Russell Lund, one of those pushing the hotel concept, before news broke yesterday of Cr Jim O’Malley’s bid to save the factory operation, condensed on to a smaller part of the site. […] Mr Lund said the idea of sharing the site was “interesting” and not one that would necessarily kill the hotel concept. The Cadbury factory was on a “massive” site, meaning there was potentially room for a mixture of uses, including a hotel on upper floors alongside a dairy processing plant on the ground floor, he said. But before options could be considered, more detail was needed from Mondelez, he said. […] He expected to hear from Mondelez by the end of next month, but in the meantime, he would discuss the hotel concept with a group of Chinese investors due to visit Dunedin later this month. Read more
[click to enlarge] 280 Cumberland St, Dunedin 9016 via Google Earth
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When it comes to hotel design, Dunedin can learn from Hobart, writes businessman Russell Lund.
### ODT Online Mon, 8 May 2017 Hotel design: back to the future is where it’s at
By Russell Lund
OPINION The proposed Filleul St, Dunedin, hotel is a remnant of outmoded thinking. Nothing ever remains the same, and the winds of change are sweeping through the accommodation industry. I recently spent time in Hobart to see how it had been able to develop many of its waterfront heritage buildings into viable economic propositions, and received some valuable insights. Hobart now has a population in excess of 200,000, but it was and still is a regional city in economic decline, isolated from Australia’s major centres. Like Dunedin, it has the lowest average household income of any major Australian city, and sees a bright future in tourism based on its built heritage, natural environment and outstanding regional food and wine products. The accompanying photographs show the two hotels rated by TripAdvisor as the best and second best (of 46) hotels in Hobart. The Hotel Grand Chancellor Hobart is a rectilinear 4.5-star human filing cabinet that is described on TripAdvisor as an architectural scar on the Hobart cityscape. Its level of discernible architectural merit is of a similar standard to the proposed Filleul St hotel which is to say, none at all. Despite its brutal urban demeanor, The Hotel Grand Chancellor is a busy hotel. Its 244 rooms run at an impressive 93% occupancy, but you can hire a room there at any time for less than $A200 ($NZ215). However, the modest Henry Jones Art Hotel nearby, with 52 5-star rooms, a former jam factory, knocks the Grand Chancellor for a revenue six. It also runs at 90%. occupancy, but its average tariff is about double the Grand Chancellor’s, at $A350-$A500 per night. The Henry Jones is able to charge this premium because the property is unique, even in a city renowned for its building heritage. Read more
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### ODT Online Wed, 17 May 2017 Cadbury expands Hobart factory
Mondelez International is investing $A4 million in Hobart’s Cadbury chocolate factory while pushing ahead with plans to close its Dunedin production line. The food giant announced today the money would buy new equipment to produce two new lines at the Claremont plant, while the southern New Zealand site is due to close in 2018. Read more
█ For more, enter the term *cadbury* in the search box at right.
Lynley Hood is a positive advocate for her area, no doubt – but hopefully she can think more widely than Corstorphine, to the provision of fair and equitable public transport for The Many, wherever they live in Dunedin, who struggle to pay standard fares or top up the ‘dumb’ Go Card —or who have no bus service to their streets at decent intervals with timely transfer options for necessary travel destinations [the currently ‘immovable’ ORC system].
Or thank god, there’s hail apps.
[Is Otago Regional Council up with the technology about to change public transport @ New Zealand —thereby cancelling any profit from the ill-thought diesel-breathing bus hub planned for Great King St in Central Dunedin.]
Black car service [uberinternal.com]
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When a new flexible bus ticketing system is introduced early next year in Dunedin and the Queenstown area, consideration would be given to introducing a lower $5 top-up for Go Cards for online payments. –ORC
### ODT Online Tue, 6 Jun 2017 Bus discounts asked of ORC
By John Gibb
Kew resident Lynley Hood is urging the Otago Regional Council to introduce a community services card bus discount to help “transport disadvantaged” people in Dunedin. “Public transport is important for all sorts of reasons, certainly for inclusiveness and giving everybody a chance,” Dr Hood said. If you’re going to proceed with education and get a job, you’ve got to have transport. It’s got to be attractive to everybody, so it works for the people who need it.” She often saw bus users checking their small change to see if they could afford to use the bus, and clearly not everyone could. She has been suggesting this extension of the bus discount system, and other improvements in the Corstorphine bus service, for several years, and made a detailed submission to the council in 2014. More Corstorphine residents would be encouraged to switch to Go Cards by providing the suggested discount for community services card holders, and cutting the minimum Go Card top-up payment from $10 to $5, she said. Read more
Radiohead Published on Jun 2, 2017 Radiohead – I Promise
I Promise is one of 3 previously unreleased tracks from the album OK Computer OKNOTOK 1997 – 2017.
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“Transportation companies compete for customers, and ultimately it is the consumer who makes the choice.” –Chicago’s Department of Business Affairs and Consumer Protection
“Were the old deemed to have a constitutional right to preclude the entry of the new into the markets of the old, economic progress might grind to a halt,” Judge Richard Posner wrote in the 7th Circuit decision. “Instead of taxis we might have horse and buggies; instead of the telephone, the telegraph; instead of computers, slide rules.”
### usatoday.com 4:47 p.m. ET 5 Jun 2017 | Updated Chicago cabbies say industry is teetering toward collapse
By Aamer Madhani
CHICAGO — Operators of the nation’s second-biggest taxi fleet are now accelerating toward their long-rumoured extinction, edging towards becoming virtual dinosaurs in the era of ride-sharing monsters Uber and Lyft. Cabbies have long grumbled that the sky is falling as they lose ground to ride-sharing companies. Now, cabbies in Chicago are pointing to new data that suggests the decline could be speeding up. About 42% of Chicago’s taxi fleet was not operating in the month of March, and cabbies have seen their revenue slide for their long-beleaguered industry by nearly 40% over the last three years as riders are increasingly ditching cabs for ride-hailing apps Uber, Lyft and Via, according to a study released Monday by the Chicago cab drivers union. More than 2,900 of Chicago’s nearly 7,000 licensed taxis were inactive in March 2017 — meaning they had not picked up a fare in a month, according to the Cab Drivers United/AFSCME Local 2500 report. The average monthly income per active medallion — the permit that gives cabbies the exclusive right to pick up passengers who hail them on the street — has dipped from $5,276 in January 2014 to $3,206 this year. The number of riders in Chicago hailing cabs has also plummeted during that same period from 2.3 million monthly riders to about 1.1 million. Declining ridership for Chicago’s taxi industry comes as foreclosures are piling up for taxi medallion owners who aren’t generating enough fares to keep up with their loan payments and meet their expenses.
….Chicago cabbies aren’t alone in feeling the pinch. In New York, ridership in the city’s iconic yellow cabs has fallen about 30% over the last three years. Last year, San Francisco’s Yellow Cab — the city’s largest taxi company — filed for Chapter 11 bankruptcy protection. Los Angeles taxi ridership fell 43%, and revenue was down 24%, between 2013 and 2016. Read more
Motherboard Published on May 27, 2016 Is Uber Killing the Yellow Taxi in New York City?
As Uber’s stranglehold over the taxi industry increases, some New York yellow cab dispatchers have found themselves in an unprecedented predicament: sitting on millions of dollars worth of medallion yellow cabs, but not enough drivers to drive them.
Ignazio Magnani (@IgnazioMagnani), residing in Reggio Emilia, Italy, keeps his followers posted about the visibilty of the International Space Station and the composition of the crew aboard the spacecraft in orbit. His Twitter ID is a painting of Russian pioneer of space flight Yuri Gagarin, the first man to have done (12 April 1961) a space flight. Ignazio’s Twitter profile is a tribute to space exploration and the research to improve our quality of life.
Dunedin-based astronomer and dark skies proponent Ian Griffin (@iangriffin) keeps an eagle eye out for happenings overhead, often with superb and astonishing camera results. To obtain these shots of the overhead pass Ian used a 9.25inch Celestron with a Sony A7S2 camera.
Woah! Tonight from Dunedin, @Space_Station is passing virtually overhead at 18:59. Remember to look up! #Dunedinisgreat
Intl. Space Station (@Space_Station) is NASA’s page for updates from the International Space Station, the world-class lab orbiting Earth 250 miles above. For the latest research, follow @ISS_Research.
— Intl. Space Station (@Space_Station) May 15, 2017
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In other news….
Inmarsat-5 F4 Mission
SpaceX’s Falcon 9 rocket will deliver Inmarsat-5 F4, a commercial communications satellite, to a Geostationary Transfer Orbit (GTO). As the industry leader and pioneer of mobile satellite communications, Inmarsat has been powering global connectivity for more than three decades. SpaceX is targeting launch of Inmarsat-5 F4 from historic Launch Complex 39A (LC-39A) at NASA’s Kennedy Space Center in Florida. The 49-minute launch window opens on Monday, May 15, at 7:21 p.m. EDT, or 23:21 UTC. A backup launch window opens on Tuesday, May 16, at 7:21 p.m. EDT, or 23:21 UTC.
To my dear colleague and bold accomplice in Heritage
At Facebook:
### ODT Online Wed, 10 May 2017 Dunedin heritage advocate dies
Dunedin man Stewart Harvey, an advocate for preserving the city’s heritage, has died. He was 77. Mr Harvey was a founding trustee and chairman of the Historic Cemeteries Conservation Trust of New Zealand, played a leadership role in the Dunedin Prison Charitable Trust and was an Orokonui Ecosanctuary Foundation trustee and honorary treasurer. In 2006, he initiated the first phase of restoring Larnach’s tomb in Dunedin’s Northern Cemetery, securing funding of $130,000. In 2012, he was awarded a New Zealand Historic Places Trust certificate of merit award and in 2013 received a QSM for services to heritage preservation. An obituary will follow. [ends]
### ODT Online Sat, 29 Apr 2017 Tourism intended for prison
By David Loughrey
Dunedin’s old prison has four new trustees, a new tenant with the tourism market in mind, and is ready to move to a new stage in its evolution. The 121-year-old Victorian-style courtyard facility designed by John Campbell has been returned to its original form. Work to replace decorative architectural elements removed from the front of the building was completed recently. Now the Dunedin Prison Charitable Trust is turning its attention to future uses for the former jail that is one of the city’s more unusual historic buildings. The prison was decommissioned in 2007, and the trust bought the property in 2012. Trust chairman Owen Graham said the physical restoration work was 95% complete — ridge tiles and two 2-metre finials still had to be finished — but it was time to start a new stage of evolution for the building. The new trustees had been appointed for their range of skills and backgrounds, and would help the trust make decisions about what happened next. Those decisions could range from another part-upgrade or “go for a multimillion-dollar effort”. […] Mr Graham said part of the trust’s strategy was to start occupying parts of the prison to sustain its activities and “bring the prison back to life with different activities”. It had been working with a business that wanted to use the prison’s kitchen, which had been identified as “serviceable”. Read more
The former prison has a Heritage New Zealand category one classification; future development involves discussion with Dunedin City Council and Heritage New Zealand.
Timeline
Showing the many phases of use of the prison:
1896-1915 – new prison opened with cells for 52 men and 20 women
1915-1959 – Police move in to administration block and look after prisoners as well as their own duties
1959-1974 – 34 female prisoners are accommodated, segregated from men
1975-1994 – reopened catering for 59 male inmates
1994-2000 – Police move out to their new premises and prison reverts to original purpose as a men only facility
2007 – prison decommissioned and Corrections operation moved to Milburn
2011 – Dunedin Prison Charitable Trust formed to secure the prison for the nation
2012 – Dunedin Prison Charitable Trust raises $50,000 to allow it to purchase the property from Ngai Tahu Property Ltd
2014 – Conservation Plan completed
2015 – Fund-raising begins to allow us to restore the facades and repair part of the slate roof, estimated at $500,000.
The Government is about to launch a process within the creative sector of New Zealand to select the best team and ideas for the design and content.
### nzherald.co.nz 3:00 PM Sun, 23 Apr 2017 NZ to spend $53m on Dubai Expo
By Grant Bradley – Aviation, tourism and energy writer for Business Herald
The Government will spend $53 million showcasing New Zealand at Expo 2020 in Dubai in an attempt to boost trade in the region and beyond. Economic Development Minister Simon Bridges made the announcement in Dubai today. “It’s a unique and dynamic part of the world. For us this a relatively big play,” Bridges told the Herald. […] When Dubai bid for Expo 2020, its rulers said they would spend more than $10b on a 2 sq km site that will contain three thematic areas: opportunity, sustainability and mobility. New Zealand has been invited to participate in the sustainability precinct. […] While trade runs heavily in US favour, Bridges said the New Zealand pavilion would allow Kiwi businesses to highlight their innovative products and services and open doors to new export markets. New Zealand is close to completing a free trade agreement with the Gulf Co-operation Council (GCC), which comprises Bahrain, Kuwait, Oman, Qatar, Saudi Arabia and the UAE. […] Bridges said participation at the Expo was a carefully calculated strategic investment. “Ultimately this is a pretty hard-headed investment for exporters and the economy. New Zealand being there is essential.” […] New Zealand had signed up early as an exhibitor and it would help its push “against the open door” of trade negotiations. Read more
ArabianBusiness.com Arabic Published on Apr 3, 2017 Al Wasl Plaza during Expo 2020 Dubai – source :Expo 2020 Dubai
Al Wasl Plaza, the central hub of Expo 2020 Dubai
Expo2020 Dubai Published on Apr 5, 2017 Al Wasl Plaza
Show Me Dubai Published on Dec 7, 2016 8 Billion Dollars Dubai Expo 2020 Master Plan
Dubai’s theme for the Expo is Connecting Minds, Creating the Future. Its proposed schedule is from October 2020 until April 2021, the first Expo to run over two years stretching over UAE’s 49th National Day and touching on UAE’s 50th Jubilee year in 2021. Dubai’s Masterplan proposes a site on 438 hectares of land in Jebel Ali equidistant to the Dubai International Airport and Abu Dhabi International Airport. To support its theme of sustainability, the iconic structure that covers much of the site will have photovoltaic fabric that is planned to generate at least 50% of the Expo’s power on site. Dubai Expo 2020 expects to create 277,149 jobs between 2013 and 2021. 40% of the employment opportunities generated would be in the travel and tourism sector. Dubai Expo 2020 expects to attract 25 million unique visitors and up to 33 million visits over the six-month period. Courtesy: Expo2020 Dubai
Tinshed by Raffaello Rosselli
Amy Frearson | 21 June 2013 ● Dezeen
Australian architect Raffaello Rosselli has repurposed a corroding tin shed in Sydney to create a small office and studio apartment. Rather than replace the crumbling structure, Raffaello Rosselli chose to retain the rusty corrugated cladding of the two-storey building so that from the outside it looks mostly unchanged. The project embraces that it will continue to change with time through rust, decay and repair.
“The humble tin shed is an iconic Australian structure,” he explains. “As the only remaining shed in the area it is a unique reminder of the suburb’s industrial past.”
The architect began by taking the building apart and replacing its old skeleton with a modern timber frame. He then reattached the cladding over three facades, allowing room for three new windows. The frames of the windows are made from sheets of Corten steel that display the same orange tones as the retained facade.
“The materials have been left raw and honest, in the spirit of its industrial economy,” adds Rosselli. In contrast with the exterior, the inside of the building has a clean finish with white walls and plywood floors in both the ground-floor living space and the first-floor office. Read more + Images
*Photography by Mark Syke, apart from where otherwise indicated.
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Collage House, London
Dezeen Published on Feb 13, 2017 Movie explores Jonathan Tuckey’s home in a 19th-century workshop 14 years on
Filmmaker Tapio Snellman has documented the ageing process of architect Jonathan Tuckey’s home, 14 years after he overhauled a 19th-century London workshop to create it. The architect, who is the founder of London-based firm Jonathan Tuckey Design, renovated and extended the steel fabricator’s workshop in 2002 to create a unique home for his family and their dog. He left the bare brick walls tarnished with black marks and chose “simple and everyday” materials to rejuvenate the character of the building, but also because they would weather well. Snellman, who shot Collage House in 2016, captures the ageing of these materials – including nicks and scratches on a series metal fixture and doors by splitting the screen into four – a trick he repeats throughout his film. “The split-screen sequences talk about the occupants and about the way architecture is integrated seamlessly with family life and personal expression,” Snellman told Dezeen. “The four simultaneous views create one strong spatial impression without any single image dominating the effect,” he told Dezeen. Both moving and fixed larch plywood panels clad the exterior, while beach plywood sheeting used as a floor lining inside the house, along with a concrete covering. Douglas fir stud work was planed and left exposed to partition spaces. This enables zones of activity to be defined, while also maintaining openness throughout.
Movie explores Jonathan Tuckey’s home in a former London steel workshop
Eleanor Gibson | 13 February 2017 ● Dezeen
This photography taken by James Brittain when the project completed in the early 2000s shows how Tuckey overhauled the industrial building by partially demolishing walls to create a central courtyard. “Plywood has weathered beautifully on both the interior and exterior and the scuff marks of 15 years use now tell the personal story of the family,” Tuckey told Dezeen. “The concrete floors have patinated and subsequently become more beautiful,” he continued. “The exposed brick was already there but continued to age gracefully as it was used to hang pictures and the kids used it to draw on it.” A space that forms a central part of Snellman’s film is the open-plan kitchen-cum-dining room, which occupies the former workshop. Here, he captures diagonal patterns of light that floods in through the long skylight between the original wooden bowstring beams restored by Tuckey. Snellman contrasts colour footage with black and white in the film, as well as tracking members of the family through the house. “The very controlled track shots try to eliminate the viewers awareness of the presence of the camera, as if the space would be seen at its most intimate, when no-one is present,” the filmmaker told Dezeen.
Ground floor plan [click to enlarge]
First floor plan
When renovating the building, Tuckey’s aim was to maintain as many of the building’s existing features as possible, while also creating plenty of playful spaces that catered to his then-young children. He divided the long and narrow building, which widens at the southern end, into three parts. He also demolished one of the existing buildings to create a courtyard and a small pond. The entrance hall and living area occupy the northern end with a mezzanine above, while the kitchen-cum-dining room occupies the central space. A walkway links these spaces to the two-storey structure added to the southern side, which houses the bedrooms and a bathroom. Since the original renovation, Tuckey has reconfigured the arrangement of the bedrooms, as his now teenage daughters needed more space. The children’s bedrooms have moved upstairs from the downstairs, while the single room used by the parents was divided into two interconnected rooms. A pair of hatches in the bedrooms open to the rooftop terrance, which was also only recently completed by the designer. Read more
Installed to celebrate International Women’s Day, the four-foot statue of a young girl staring down Wall Street’s “Charging Bull” was scheduled to be removed this weekend. But sculptor Kristen Visbal created both a symbol of the necessity of female leadership and a sensation. Crowds are flocking to pose with the statue; a petition calling for its permanent installation has attracted over 30,000 signatures. The mayor of New York City Bill de Blasio has said that in “standing up to fear, standing up to power”, the statue “spoke to the moment”. This week he announced that “Fearless Girl” will stay until March 2018. Boston-based investment firm State Street Global Advisors commissioned the statue.
The New York Times Published on Mar 8, 2017 Statue of Courageous Girl Faces Wall Street Bull | The New York Times
As many American women prepare to draw attention to their role in the workplace, a Wall Street firm on Tuesday put up a statue of a girl in front of Lower Manhattan’s bronze bull, fearlessly staring it down.
CNNMoney Published on Mar 8, 2017 State Street: Why we commissioned Wall St. ‘Fearless Girl’
CNNMoney’s Maggie Lake talks with State Street’s Lori Heinel about the importance of diversity on corporate boards and in leadership positions. “What more iconic symbol than to put a young girl as a symbol of women” facing off against The Bull.
Fox News Published on Apr 14, 2017 ‘Charging Bull’ vs ‘Fearless Girl’: Sculptor wants her gone
Sculptor of the New York City’s iconic ‘Charging Bull’ statue is demanding the ‘Fearless Girl’ statue be removed, claiming she is violating his legal rights
The artist behind the Charging Bull is charging NYC for violating his rights. https://t.co/rhMiCTqjpl
The man who sculpted Wall Street's "Charging Bull" is accusing NYC of infringing on his artistic copyright with "Fearless Girl"'s placement. pic.twitter.com/5tjWlbn0lI
CBS New York Published on Apr 12, 2017 Artistic Showdown Over ‘Fearless Girl’ Statue
CBS2’s Jessica Moore reports.
Associated Press Published on Mar 27, 2017 ‘Fearless Girl’ Statue Stays Through Feb. 2018
New York City has decided that the globally popular statue of a young girl staring down Wall Street’s famous “Charging Bull” will remain in place through February 2018. (March 27)
The Associated Press is the essential global news network, delivering fast, unbiased news from every corner of the world to all media platforms and formats.
Storyful News Published on Mar 8, 2017 Ad Agency Puts ‘Fearless Girl’ Statue Opposite Wall Street’s Charging Bull
Courtesy: State Street Global Advisors/McCann
Dagbladet Published on Mar 7, 2017 Slik ble «Den flyktløse jenta» laget
KVINNEKAMPANJE: Det gigantiske reklamebyrået McCann oppfordrer mer enn 3500 selskaper – som SSGA investerer i på vegne av klienter -til å iverksette tiltak for å øke antall kvinner i styrene. Video: McCann
John Morrison Clarke (29 July 1948 – 9 April 2017) was a New Zealand comedian, writer, and satirist.
Born: 29 July 1948, Palmerston North, New Zealand
Died: 9 April 2017 (aged 68), Grampians, Victoria, Australia
Living in Australia since the late 1970s, Clarke was a regular actor and writer on Australian television. He first became known during the mid to late 1970s for portraying a laconic farmer called Fred Dagg on stage, film and television. Gumboot and singlet-clad, Dagg had seven sons all named “Trev”. Clarke also recorded a series of records and cassettes and published several books as Dagg. Thirty years after its release, the first Fred Dagg album, Fred Dagg’s Greatest Hits (1976), remains one of New Zealand’s biggest selling records.
[nz rockstuff]
In 1982 he was nominated for an AFI award for co-writing the acclaimed Paul Cox film Lonely Hearts. He also co-wrote the mini-series Anzacs and provided the voice of Wal Footrot in the feature-length animated film, Footrot Flats: The Dog’s Tale (1986), based on the comic strips by Murray Ball. Towards the end of the 1980s, he featured in a number of other films, and began to be known for his political satire.
In 1989, along with collaborator Bryan Dawe, Clarke introduced weekly satirical mock interviews to television, and these short pieces (usually between 2–5 minutes in duration) became a regular and popular segment of the Nine Network current affairs programme A Current Affair. […] In 2013 the mock interviews became an eponymous program Clarke and Dawe which screened at 6.57pm on ABC TV.
[mrjohnclarke.com]
Clarke was the author of several books, notably two mock compilations of Australian poetry, and The Tournament, a book describing a fictional tennis tournament involving many philosophical and literary figures of the twentieth century. Clarke was inducted into the Logies Hall of Fame in 2008. The Logie was presented to him by long-time collaborator and friend Bryan Dawe. Read more
ClarkeAndDawe Published on Apr 5, 2017 Clarke and Dawe – Complete Cohesion As We Approach the Budget
“Scott Morrison, Federal Treasurer” Originally aired on ABC TV: 06/04/2017
Clarke and Dawe’s most recent segment, takes on Scott Morrison’s preparations for the budget.
ClarkeAndDawe Published on Jul 13, 2016 Clarke and Dawe – Thank God it couldn’t happen here.
“The Unique Circumstances Which Produced the Brexit Vote.” Originally aired on ABC TV: 13/07/2016
ClarkeAndDawe Published on Nov 11, 2015 Clarke and Dawe – The Night the Abbott Went Down
“Scott Morrison, Federal Treasurer” Originally aired on ABC TV: 12/11/2015
Clarke as Scott Morrison sorts through the chaos of the night that Tony Abbott was deposed as leader of the Liberal party.
Umbrella Entertainment Published on Jan 11, 2015 The Games Excerpt
‘Have you measured the 100m track, Mr Wilson?’ Preparations for the Olympics run into a number of unexpected hurdles in this episode of The Games. Featuring John Clarke, Gina Riley, Bryan Dawe and Ross Stevenson, this hit ABC comedy series is a deadpan, surreal and highly satirical look at bureaucrats in the throws of organising the extravaganza that will be the Sydney 2000 Olympic Games.
ClarkeAndDawe Published on Jul 9, 2014 Clarke and Dawe – Asylum Seeker Policy. Proudly Australian.
“Lionel Dropout. Customer Relations Consultant” Originally aired on ABC TV: 10/07/2014
ClarkeAndDawe Uploaded on Jun 23, 2010 Clarke and Dawe – The Front Fell Off
“Bob Collins, Australian Senator” Air date: 26/07/1991processing system.
Suparnovah Uploaded on Mar 25, 2007 Fred Dagg – We Don’t Know How Lucky We Are [1998] Clarke created the character Fred Dagg as a satire of the Kiwi everyman. A farmer, Dagg often appeared on television to express his opinion, often in song, and regularly accompanied by a dog.
So when things are looking really bad
And you’re thinking of giving it away
Remember, New Zealand’s a cracker
And I reckon come what may
If things get appallingly bad
And we’re all under constant attack
Remember, we want to see good clean ball
And for god’s sakes, feed your backs
Otago Polytechnic Published on Mar 23, 2017 2017 iD International Emerging Designer Awards
Otago Polytechnic is proud to be a sponsor of the iD Dunedin Fashion Week. One of our favourite events is, of course, the iD International Emerging Designer Awards. In this coveted competition, students from Otago Polytechnic compete against others from around the world – this year there are 33 finalists. It’s Australasia’s largest emerging fashion design competition, and this year it’s at Dunedin’s historic railway station. For more info about studying fashion at Otago Polytechnic, rated in the world’s top 50 fashion schools, check out http://www.op.ac.nz/fashion
Australian Finalist takes out 13th iD International Emerging Designers Awards
A stand-out Australian emerging designer collection that reinvents archetypal garments including the biker jacket and blazer has won tonight’s 13th annual iD International Emerging Designer Awards held at the Dunedin Railway Station in New Zealand. Australian-based Nehma Vitols from Sydney’s University of Technology tonight took out the H&J Smith $6,000 First Place prize with her collection, ‘XXX’ – described by judges as “inspired”, merging new fabric technology with handcraft while deconstructing familiar silhouettes in an entirely unique way. Paper, silk and cotton merge to form hybrid materials that oscillate between two and three dimensions and between garment and sculpture. During Vitol’s fashion education, the former student from the University of Technology, Sydney, was selected to participate in the Woolmark Global Studio Program in China and the Textile Print Global Studio in Pukshar, India. Alongside her Bachelor of Design, she completed a Bachelor of Arts in International Studies.
The judging panel made up of Tania Carlson, NOM*d’s Margi Robertson, Marc Moore from Stolen Girlfriends Club, Australian fashion editor Georgina Safe, and iD’s international guest for 2017 Paulo Melim Andersson say the standard of finalists at this year’s event was very high. An overriding focus of the designers was on the ocean with aquatic inspired collections and a renewed focus on sustainability. Says Andersson: “All of the collections are a result of research and a commitment to new ideas. There was little evidence of international referencing and instead each finalist created their own vision in a collection that was fresh, unique and original.”
Hosted by ZM’s PJ Harding and Jase Hawkins, 29 international emerging designer collections showed at [last] night’s 13th annual event, supported by Otago Polytechnic.
This year’s winners are:
● The H&J Smith First Prize ($6000) Nehma Vitols, University of Technology, Sydney, Australia
● Laffare Second Place ($4000): Lila John, University of Applied Arts, Vienna, Austria
● Gallery De Novo 3rd Place ($2000): Paul Castro, Royal Melbourne Institute of Technology, Australia
● The Fabric Store Award for Excellence in Design worth $3000 (includes $2000 fabric): Tess Norquay, Massey University, Wellington, NZ
● Dunedin’s Golden Centre Mall Most Commercial Collection Prize ($1000): Talia Jimenez University of Technology Sydney, Australia
● The NZME and Viva Editorial Prize (awarded to best NZ collection): Megan Stewart, Massey University, Wellington, NZ.
● The Emilia Wickstead Internship: Emily Cameron, Royal Melbourne Institute of Technology, Australia.
Backstage, Dr Margo Barton from the Otago Polytechnic School of Design and a team of students was in charge of managing the Awards, while Dunedin-based salon Klone Hair, led by Danelle and Karl Radel, took charge of the runway hair creations. Makeup looks for the models, supplied by Aart Model Management and 10 international models from the University of Shanghai Engineering Science, were created by the Revlon sponsored makeup team, led by Christal Allpress.
iD Dunedin Fashion Week is supported by the Dunedin City Council. iD Link
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Talented Swedish designer Paulo Melim Andersson is the International Guest Judge for this month’s iD Dunedin Emerging Designer Awards on 23 March. Andersson has designed for top European fashion houses Chloé, Marni Margiela and Zadig & Voltaire during his fashion career and he will show a retrospective collection at the iD Dunedin Fashion Shows at the Dunedin Railway Station on 24 & 25 March. Read more
Paulo Melim Andersson – Chloé 2007 [via fashionnz.co.nz]
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C U R R E N T ● E X H I B I T I O N
17-30 March – MUSE at Gallery De Novo, Stuart St, Dunedin
Dunedin artist Suzy Platt’s fashion illustrations are on show at Gallery De Novo in her new exhibition ‘Muse’. Suzy’s paintings recently caught the attention of renowned British photographer Nick Knight who asked her to illustrate the Haute Couture collections at Paris Fashion Week. The illustrations can also be viewed in London at the SHOWstudio Gallery.
Murray Hone Ball ONZM (26 Jan 1939 – 12 Mar 2017) was a New Zealand cartoonist who became known for his Stanley the Palaeolithic Hero (the longest running cartoon in Punch magazine), Bruce the Barbarian, All the King’s Comrades (also in Punch) and the long-running Footrot Flats comic series. In 2002 Ball became an officer of the New Zealand Order of Merit (ONZM) for his services as a cartoonist. More
gisborneherald Published on Mar 12, 2017 Murray Ball, Footrot Flats cartoonist, dies at 78
New Zealand has lost its most loved cartoonist, Gisborne’s Murray Ball.
Best known for the memorable characters in his cartoon strip Footrot Flats, the widely-respected artist died at home at 11.30am yesterday surrounded by family.
His wife Pam, three children and grandchildren were there, as well as Mr Ball’s brother Barry and close friends. Mr Ball had been out of the public eye due to Alzheimer’s, which he lived with for eight years. He was aged 78.
“It was a terribly sad and emotional day yesterday,” said Mr Ball’s wife Pam. “It was expected but it was terrible to see him go. It was lovely to have family and friends there but it was so, so hard the moment he went.” The family had received some wonderful tributes from around the world, she says.
Mayor Meng Foon described Mr Ball as a legend in our community. On behalf of the community, and the art in public places committee, he extended his heartfelt condolences to the Ball family. “Murray made us laugh, reflect and inspired us as proud New Zealanders. It was a great honour to present Murray’s key collection of cartoon books to the Beijing Olympic committee in 2008.” Mr Foon is pleased Wal and Dog will take pride of place at the entrance of the re-developed library. Murray, your legacy will take pride in Bright Street, a fitting place for such a bright shining star of our creative community.”
Gisborne artist and art teacher Norman Maclean remembers Mr Ball as a man of the soil who loved the country, animals and bird life. He also remembers him as a fine artist, although Mr Ball disagreed. “Murray used to say he was not an artist — which was ridiculous. His command of line was outstanding. For a time he broke into painting. His paintings were forceful, with a very strong line and a strong sense of immediacy.” The cartoonist’s sense of fun came to light while out riding with Mr Maclean. “The first time out he gave me a huge horse called Black. Murray knew what he would do at a certain point and that was to turn home. Black took off, my feet flew out of the stirrups and I heard hoots of laughter behind me.” Mr Ball was a complex figure though, says Mr Maclean. He was very serious-minded. “He thought deeply about political and social matters and had a great sense of justice and of a fair go for the average person.” Although he ascribed to no religion, he described himself as a Christian socialist and enjoyed many arguments with Mr Maclean about religion and philosophy.
In a tribute to Mr Ball, Prime Minister Bill English describes the Gisborne cartoonist as a thoughtful New Zealander “who took our unique sense of humour to the world”.
Cartoonist Tom Scott, who co-wrote the screenplay for Footrot Flats: The Dog’s Tale, told the New Zealand Herald Mr Ball was “funny and goofy and generous, and incredibly serious about inequality”. “He mourned the New Zealand he remembered being fair, and I guess if he had his life over again Murray would rather have been an editorial cartoonist.” Mr Scott also remembers Mr Ball as “an unbelievably strong, fit, handsome man all his life”.
New Zealand Herald cartoonist Rod Emmerson said Footrot Flats captured the essence of New Zealand farm life. “But farm life is virtually the same the world over, hence it quickly became a household icon both here and abroad. How lucky are we to have had the pleasure of Murray Ball’s home-grown genius to entertain us when we needed it most.”
The funeral service will be held at Bushmere Arms on Friday at 1pm.
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thatdickgmail Published on Oct 4, 2012 Footrot Flats Rugby Scene
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Posted by Elizabeth Kerr
This post is offered in the public interest.
GMRedWing Published on Jun 18, 2015 Footrot Flats – Wal’s Date gone wrong
Footrot Flats: The Dog’s Tale
Downer EDI – Media Release
Downer acquires Hawkins businesses in New Zealand
08/03/2017
Downer EDI Limited (Downer) announced today that it had signed an agreement to acquire the construction, infrastructure and project management businesses of Hawkins, a New Zealand company, from the McConnell Family.
The Chief Executive of Downer, Grant Fenn, said Hawkins was an excellent strategic fit for Downer’s New Zealand business.
“Downer has a long and proud history in New Zealand that can be traced back more than a century,” Mr Fenn said. “Today we are a leading provider of services to our customers in a range of markets including transport, telecommunications and water.
“Hawkins is a New Zealand industry leader in construction and infrastructure and this acquisition will complement our existing Engineering, Construction and Maintenance capabilities while also providing a platform for growth. It is estimated that over NZ$50 billion will be invested in non-residential construction in New Zealand over the next five years.”
Mr Fenn said Hawkins would continue to operate under its current brand.
“Hawkins was founded in New Zealand 70 years ago and its highly skilled management team has built a strong reputation for delivering quality projects for its customers in both the public and private sectors,” he said.
Hawkins has a number of high profile projects across its portfolio including the SH16 Lincoln to Westgate upgrade, the construction of Auckland’s Park Hyatt Hotel, the Pier B Extension at Auckland Airport, Wellington Airport’s Rongotai Control Tower, Wellington City Council’s Arlington Housing Project, the Christchurch Town Hall, and the Avon River Precinct (Christchurch).
Mr Fenn said the acquisition would be funded through existing debt facilities and be earnings accretive in its first year.
The transaction is due to be completed on 31 March.
Hawkins – Media Release Hawkins Ownership to Change
8th March 2017
Hawkins is pleased to announce that Downer is acquiring Hawkins’ construction, infrastructure and project management businesses from the McConnell Family. This offers a new era of opportunity for both organisations. Hawkins Construction will retain its brand and continue as an ongoing business. Hawkins Infrastructure, which complements Downer, will be integrated into its existing Infrastructure business. Together we look forward to continuing our proud New Zealand heritage of building better communities, with passionate people and great projects. Link
[Hawkins full announcement]
DOW / Announcements Downer acquires Hawkins business in New Zealand
8:39am, 8 Mar 2017 | ASSET
8 March 2017
DOWNER ACQUIRES HAWKINS BUSINESSES IN NEW ZEALAND
Downer EDI Limited (Downer) announced today that it had signed an agreement to acquire the construction, infrastructure and project management businesses of Hawkins, a New Zealand company, from the McConnell Family.
The Chief Executive of Downer, Grant Fenn, said Hawkins was an excellent strategic fit for Downer’s New Zealand business.
“Downer has a long and proud history in New Zealand that can be traced back more than a century,” Mr Fenn said. “Today we are a leading provider of services to our customers in a range of markets including transport, telecommunications and water.
“Hawkins is a New Zealand industry leader in construction and infrastructure and this acquisition will complement our existing Engineering, Construction and Maintenance capabilities while also providing a platform for growth. It is estimated that over NZ$50 billion will be invested in non-residential construction in New Zealand over the next five years.”
Mr Fenn said Hawkins would continue to operate under its current brand.
“Hawkins was founded in New Zealand 70 years ago and its highly skilled management team has built a strong reputation for delivering quality projects for its customers in both the public and private sectors,” he said.
Hawkins has a number of high profile projects across its portfolio including the SH16 Lincoln to Westgate upgrade, the construction of Auckland’s Park Hyatt Hotel, the Pier B Extension at Auckland Airport, Wellington Airport’s Rongotai Control Tower, Wellington City Council’s Arlington Housing Project, the Christchurch Town Hall, and the Avon River Precinct (Christchurch).
Mr Fenn said the acquisition would be funded through existing debt facilities and be earnings accretive in its first year.
The transaction is due to be completed on 31 March.
For further information please contact:
Michael Sharp, Group Head of Corporate Affairs and Investor Relations +61 439 470 145
About Downer
Downer EDI Limited (Downer) is a leading provider of services to customers in markets including: Transport Services; Rail; Mining; Utilities Services; Technology and Communications Services; and Engineering, Construction & Maintenance. We build strong relationships of trust with our customers, truly understanding and predicting their needs and bringing them world leading insights and solutions. Downer employs about 19,000 people across more than 200 sites and projects, mostly in Australia and New Zealand, but also in the Asia-Pacific region, South America and Southern Africa. For more on Downer, visit: http://www.downergroup.com.
About Hawkins
Hawkins was established in Hamilton in 1946 by Fred Hawkins and has steadily grown over seven decades to become a leader in New Zealand’s infrastructure and project delivery. Hawkins employs about 700 people and specialises in the design and construction delivery of buildings and infrastructure that create stronger communities across New Zealand and also the Asia Pacific. For more information on Hawkins, visit http://www.hawkins.co.nz
From: iD Dunedin Fashion Sent: Sunday, 5 March 2017 10:42 a.m. To: Elizabeth Kerr Subject: Just two weeks to go until iD Fashion Week 2017! 💋❤👠💅😍
[excerpts]
TWO WEEKS UNTIL iD DUNEDIN FASHION WEEK 2017!
With a full calendar of events designed to send you into fashion heaven, iD Dunedin Fashion Week 2017 kicks off on Saturday March 18, 2017! Featuring exhibitions, designer talks, runway shows, open design studios in the iD Hub at Dunedin’s Golden Centre Mall, and more, Dunedin is set to come alive with an amazing fashion week.
Tickets are still available from Ticketmaster for iD’s premier shows – the iD International Emerging Designer Awards and the iD Fashion Show at the Dunedin Railway Station.
iD INTERNATIONAL EMERGING AWARDS TO MOVE TO DUNEDIN RAILWAY STATION
This year’s iD International Emerging Designer Awards will be moved from the Dunedin Town Hall to the Dunedin Railway Station giving emerging finalists from around the world an opportunity to be part of the unique Railway platform runway experience associated with iD’s premier Fashion Show.
“This is an outstanding opportunity for these young designers to be more integrated with the overall events of iD Fashion Week,” says iD Committee Chair Cherry Lucas.
“Experiencing the magic of iD’s iconic runway show at the Railway Station as a new designer is exciting and unique. And for iD audiences, this is a fabulous opportunity to see the platform runway reinvented through the iD Awards, with all its distinctive, edgy and experimental qualities that people love to see.”
The venue will also enhance the audience’s experience, giving fashion lovers a closer look at the designs, say organisers.
“I’m so excited for the audience,” says Otago Polytechnic Professor of Fashion Dr Margo Barton.
“I get to see these creations up close every year but I never cease to be amazed by the creative talent out there. For the first time the audience will have that up-close experience too.”
Ms Lucas says the move to the Railway has also helped reduce set up time.
“This is the first year that we have had a large cruise ship visit on the day of our Railway Show. A growing number of logistical challenges were developing and it was decided that by bringing the set-up forward a day, many of the logistical challenges we were facing could be avoided or reduced.”
Ticketmaster and the iD team are working together to ensure all the current ticket holders receive similar seating to what has been purchased for the new venue. Current ticket holders will be contacted by Ticketmaster.
The iD International Emerging Designer Awards is supported by the principal partner for the event, the Otago Polytechnic.
iDFW insider Published on Mar 2, 2017 Meet 2017 iD Awards finalist Zhuxuan He
Meet University of Technology Sydney fashion graduate Zhuxuan He as she prepares for the 2017 iD International Emerging Designer Awards to be held in Dunedin, New Zealand in March.
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CHECK OUT THE iD HUB AT DUNEDIN’S GOLDEN CENTRE MALL
As iD’s major sponsor, Dunedin’s Golden Centre Mall becomes the iD Hub every year, holding meet and greet experiences with international guests and awards winners, alongside catwalk shows, VIP events and shopping experiences. Dunedin’s Golden Centre Mall is the city’s most fashionable retail space, with shops such as Hype, I Love Paris, Storm, Ziera, and Platypus offering shoppers fabulous clothing and shoes from New Zealand and abroad. The Golden Centre has been a major partner with iD for the past seven years.
This year’s Hub offerings include an open studio from the Otago Polytechnic’s School of Design, meet-and-greets with iD awards winners on Friday March 24, and many more events that you’ll find at www.idfashion.co.nz.
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O T H E R ● V I D E O S
iDFW insider Published on Feb 15, 2017 iD Fashion week 2017 – Teaser
The 13th annual iD International Emerging Designer Awards will take place during iD Fashion Week (Dunedin, NZ) 18 – 26 March 2017. One of this year’s 35 international finalists Cecily Reed (a graduate of the Otago Polytechnic) shares some of her designs for the Awards.
iDFW insider Published on Oct 18, 2016 iD Fashion Show 2016
Set along one of the world’s longest catwalks on the platform of Dunedin’s historic Railway Station, the iD Fashion Show 2016 featured UK-based designer Emilia Wickstead, alongside top Kiwi designers including Kate Sylvester, Zambesi, NOM*d, Carlson, Company of Strangers, Mild-Red and Charmaine Reveley.
OtagoDailyTimes Published on Mar 17, 2016 Dunedin iD International Emerging Designer Awards
iD International Emerging Designer Awards is New Zealand’s largest fashion design competition and a highlight of the iD Dunedin Fashion Week. Thirty finalists have been selected from a field of over 90 applications from some of the world’s most prestigious design schools. All finalists will be in Dunedin to present their collection and vie for the cash prizes, internships and other benefits provided to the winning designers.
Channel 39 Published on May 1, 2016 Dunedin International Emerging Designers Awards 2016
Highlights of the 2016 iD Dunedin fashion week show. Featuring live performances from the ‘Dunedin Sound’ Musicians, zealander 2, Carter, Morley and Yeats….
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█ Criticism. Frankly, iD Fashion organisers, get over yourselves – let’s hope there’s better music for this year’s runway shows! The dismal so-called ‘Dunedin Sound’ was an abject failure, on and off made the audience grossly uncomfortable. Must’ve been bloody hard for the runway models – JFC, bad enough watching the videos!
While Bishop Victoria and the Anglican church property trust (CPT) continue to sit on their hands perhaps awaiting devine intervention, who knew, it turns out that a group of stalwart people in New Zealand – with an incredible level of international assistance – are busy planning a very special Cathedral project.
From: Mark Belton Sent: Sunday, February 26, 2017 11:11 PM To: [Elizabeth Kerr + RCC Mailing List] Subject: Introducing The People’s Steeple
Dear Cathedral Restoration supporters
Below is a link to a video clip of the People’s Steeple proposal being demonstrated by its creator Marcus Brandt. Marcus has been in CHCH this last week promoting the People’s Steeple Project.
The People’s Steeple is a mind blowing proposal…audacious, visionary, inspiring. Lifting telescoping timber sections of the spire 60 metres into the sky…powered by about 500 trained people working 16 capstan winches placed around Cathedral Square, watched by up to 50,000 people in the Square.
The US based Timber Framers Guild (TFG), a professional organisation of engineers and timber framers has offered to be the lead contractor to build, assemble, and erect the People’s Steeple. The lead NZ engineers would be renowned CHCH timber engineer – Prof Andy Buchanan whose report on the project is attached.
Skilled TFG members from the US and around the world would gift their time, working in the Square preparing and assembling the timbers, and then helping lead the steeple’s erection. Up to 300 TFG members along with locals could be involved working in the Square over a period of about 6 months.
The TFG have successfully undertaken 75 community building projects over the last 25 years in the US and around the world. They are super keen to offer their services to CHCH. The TFG emphasise their projects are about ‘building communities’.
Marcus says would take only 2-3 hrs to lift and secure the telescoping sections. Flooring and bells would be assembled the same day and in the evening the bells would ring out…proclaiming to the world – ‘Christchurch is back’….and a Hangi feast would be opened…for a crowd of 50,000! International media would broadcast the event around the world…the whole enterprise being about engaging our community in the most positive way…and it would ignite fund raising for the restoration of the cathedral. It is envisaged the construction of the People’s Steeple would lead restoration of the cathedral and the Square.
It is noted huge pro bono contributions from the Guild’s members are being offered, and Blakely Pacific NZ Ltd, a US based forestry company has offered to provide the timbers at no cost from giant 125-year-old Port Orford Cedar from its Pioneer Forest in South Canterbury.
The Restore Christchurch Cathedral Group is strongly supportive of the People’s Steeple.
We hope this inspiring project will help engage and enthuse Christchurch people with recovery of the cathedral, and help get the cathedral restoration programme underway.
Warm regards
Mark Belton
Co-Chair, Restore Christchurch Cathedral
Mark Belton
Managing Director
Permanent Forests NZ Limited
PO Box 34, Lyttelton 8841, New Zealand
The People’s Steeple | Whare Films Published on Feb 23, 2017
The People’s Steeple
Rebuilding the Bell Tower at Christchurch Cathedral Marcus Brandt: An Introduction
For the last thirty years or so, I’ve been restoring historic stone and timber buildings, mostly in Southeastern Pennsylvania. I’m a working master carpenter and stone mason. Most of the historic buildings I am called to work on are 150 to 300 years old. Solid and well crafted, these old buildings tend to age well, but neglect and damage can take a toll. Much of my effort is spent in repairing and strengthening the timber frames of barns, bridges, houses, gristmills and churches. I’ve had several commissions to build new structures in the old style. I have organized and led many barn raisings, in which hundreds of volunteers gather to raise a barn’s frame in a day. A good crew will have the sides and roof on too.
Straightening, plumbing and repairing damaged stone walls is often called for. It is not uncommon to straighten a wall 10 meters high that is out of plumb by 400 or 500 mm. Having studied and worked with several Scots masons, I’m a strong believer in lime based mortars and good masonry practice. The interface between stone and timber is of particular interest to me.
Since 1989, I’ve been a professional member of the Timber Framers Guild (TFG) and a member of the Traditional Timberframe Research and Advisory Group (TTRAG). That part of the Guild focuses on understanding the past practice of the craft with a view that the past might help inform future practice. I have advised many historical and preservation societies and sat on many review boards.
As a result of my participation in Guild efforts and projects, I was invited to go to both Scotland and China to investigate “lost” technologies for the Public Broadcast Service series NOVA. We built working siege weapons in Scotland and in China we built a bridge design that hadn’t been built since the Mongol invasion.
I teach Traditional building skills at Lehigh University, Bethlehem, PA. I’m particularly interested in ways that the pre-industrial past practice can inform building in the greener, sustainable post-industrial world of the future.
I serve as a sailor, boson and ship’s carpenter aboard the tall ship Gazela (www.Gazela.org). That experience has taught me much about rigging and raising heavy loads in confined spaces. It’s taught me about erecting tall, secure, flexible, stable structures that get tossed about and shaken mercilessly. A sea captain in her own right, my wife serves as First Mate aboard Gazela. She out-ranks me, and helps keep me humble.
Since 22 February, I have been working as much as possible to develop a method to rebuild the Bell tower at Christchurch. With the help of friends and students, and the forbearance of my wife, I developed a plan that is beautiful, solid, strong, flexible, earthquake resistant, buildable, durable, and familiar. But more than anything, I want to use the rebuilding of the steeple as a vehicle for rebuilding and strengthening the community. And, once built, serve as an outward witness to the inward love we have for each other as fellow humans.
I look forward to doing this project with the able help of my best friends in the world…many of whom I haven’t yet met.
*Images: Christchurch Cathedral – (from top) colour render by whatifdunedin [photo source: Country Farm Garden Photos at cfgphoto.com]; black white render by whatifdunedin [photo source: Tony H Photography at tonyhphotography.co.nz]; colour photo of steeple detail [mygola.com]; cathedral with chalice by Sisson Photography [via photoshelter.com]; black white photo by Mudbird Ceramics [mudbirdceramics.blogspot.co.nz]; colour photo by Cindy taken on 5 Aug 2003 [via staticflickr.com]
KatyPerryVEVO Published on Feb 9, 2017 Katy Perry – Chained To The Rhythm (Lyric Video) ft. Skip Marley
Directed by: Aya Tanimura
Executive Producer: Danny Lockwood
Produced by: Cailin Lowry and Nicholas Ruff
Director of Photography: Mario Contini
Production Designer: Audrey Rosenberg
Post-Production Services: Coyote Post
Editor: Sean Horvath
Colorist: Matthew Schwab
GFX: Vince Walker, Bogdan Ciornei, Adam Petke
Miniature Food: Walking With Giants
Starring Mr. Parsons the Hamster and Rory Ruff
All food eaten by Mr. Parsons was made with hamster safe ingredients.
American Humane monitored the animal action. No animals were harmed.
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Billboard.com Watch Katy Perry’s Delicious ‘Chained to the Rhythm’ Lyric Vid: Bouncing Hamsters, Micro-Burgers & Teeny Spaghetti
2/10/2017 by Gil Kaufman
Katy Perry goes real small in the lyric video for her brand new single, “Chained to the Rhythm”. While the singer doesn’t appear in the clip, she does make sure some delicious micro-meals get prepared for a family of adorable hamsters. There’s really no other way to explain the out-there visual for the bouncy reggae-tinged track co-written by Sia and featuring Skip Marley, grandson of reggae legend Bob Marley.
Directed by Aya Tanimura, the adorbs clip features a hamster emoji bouncing over the lyrics (“so comfortable, we’re living in a bubble, bubble/ So comfortable, we cannot see the trouble, trouble”) as a pair of hands delicately cook up micro-burgers and teeny spaghetti for a rodent family. Is KP making a statement about the state of our world with the repeated cuts to hamsters running endlessly on wheels? Who knows?
The thing is damn cute, though. Read more
UK NSN report responds to the ongoing concern over the decline in the number of young people studying art and design, prompted by statements from numerous industry figures.
Brexit Effect | National Society for Education in Art and Design said art and design in schools was being eroded while the Creative Industries Federation described the failure to educate a new generation of creatives as “economic suicide”.
Art and design can help drive up standards in schools, says UK government
Amy Frearson | 8 February 2017 ● Dezeen
The UK government is urging schools to promote art and design subjects, after a report found that schools with more creative pupils achieve significantly higher grades. Released today, the New Schools Network (NSN) Arts Report reveals that schools with more arts GSCEs per pupil achieve above-average results. This was proven to be the case for schools in deprived areas, as well as those in affluent neighbourhoods. It shows that offering a broad mix of subjects, in addition to those included in the controversial English Baccalaureate (EBacc) system – which favours more traditional subjects like science and history – leads to better performance. At a launch event for the report earlier today, digital and culture minister Matt Hancock said the government is doing all it can to support creative subjects, but it is up to schools to deliver a varied curriculum. “This should not be an argument about a battle between the arts and other subjects, but instead a battle for stronger, better, well-rounded education,” he said. “Ultimately, the best schools in the country do this. They combine excellent cultural education to complement excellence in other academic subjects,” Hancock continued. “This report backs up that analysis. It looks at the data and says, if you want to drive up standards across the board, push your arts and music offer.” Read more
Note: The English Baccalaureate (EBacc) is a performance measure for schools, awarded when students secure a grade C or above at GCSE level across a core of five academic subjects – english, mathematics, history or geography, the sciences and a language.
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Corned beef at NZ….
Installation view of Povi Christkeke by Michel Tuffery 1999
Education | Christchurch Art Gallery Te Puna o Waiwhetu [christchurchartgallery.org.nz]
### NZ Herald Thu, 19 Jan 2017 Electric vehicles get $3.5m boost
The Government has agreed to pay $3.5 million towards electric vehicle projects around the country to promote the greener form of transport. Energy and Resources Minister Judith Collins announced today that 15 projects would be conditionally funded, as the Government seeks to meet its target of 64,000 electric vehicles on New Zealand’s roads by 2021. The projects include Foodstuffs using 28 all-electric delivery vans at its supermarkets; supporting Tranzit Group and Auckland Transport introducting electric buses and charging infrastructure; and Waste Management NZ converting three rubbish trucks to run on electricity. Read more
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Foodstuffs (NZ)
Media Release
Fri, 20 Jan 2017
Minister of Energy and Resources Judith Collins announces New World and PAK’nSAVE electric delivery van trial
The Honourable Judith Collins has today announced that the Energy Efficiency and Conservation Authority (EECA) will be providing funding to support Foodstuffs trial of electric delivery vans across its New World and PAK’nSAVE supermarkets in 2017.
“This is the first time a commercial electric vehicle fleet of this size has been trialled in New Zealand,” says Chris Quin, CEO, Foodstuffs North Island Ltd. “The funding will go towards the implementation of 28 zero emission electric delivery vans at New World and PAK’nSAVE stores across the North and South Island.”
According to Quin when the project was put to the business initial interest from stores was incredibly positive. “Our owners recognise and support Foodstuffs’ commitment to be more sustainable and at the leading edge of new technology. Our business practices are continually evolving to be more sustainable, this is demonstrated through our work on recyclable packaging, food donation, natural refrigeration systems and energy efficiency and ensures the business will be well placed over the coming years.”
Quin adds, “It fits in perfectly with Foodstuffs drive to reduce environmental impacts and support brand NZ. Electric vehicles offer the potential to both reduce the business’ dependence on imported fuels whilst at the same time reducing road based transport emissions by 100%.”
“Add to this the fact the electricity powering the vehicles is 100% locally generated and over 80% renewably generated through hydro, wind and geothermal sources – meaning we are investing in both New Zealand‘s economy and its environment.”
The Nissan e-NV 200 delivery vans will be imported over the next year from Europe where they are manufactured. Once charged they are capable of travelling up to 150 kilometres at a time without generating either noise or emissions.
Foodstuffs is in discussion with EECA about the potential installation of separate public electric vehicle charging points at key New World and PAK’nSAVE store locations throughout the country.
“The idea is that the provision of easily accessible charging facilities will encourage the public to gradually transition away from petrol and diesel cars to sustainable electric vehicles. You will be able to charge your car whilst grabbing your groceries,” says Quin. Foodstuffs Link
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### ODT Online Mon, 30 Jan 2017 Benefits of electric delivery vehicle adding up
By Dene Mackenzie
For Mark Dickson, the future is already here following the purchase of an electric delivery vehicle for his Taste Nature business in Dunedin. Mr Dickson and his wife and business partner, Rayna Dickson, had talked about an electric vehicle two years ago as part of an extension to their organic food business. When the couple realised they needed a newer vehicle, the electric delivery van seemed a natural extension to the business, Mr Dickson said. A month ago, he and Mrs Dickson bought a Nissan e-NV200 delivery vehicle, the same kind as grocery chain Foodstuffs and other businesses recently received government funding for in order to trial the vehicles. Read more
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### ecotricity.co.nz Sat, 30 Apr 2016 Electric Buses and Driverless Shuttles are about to solve Auckland’s Traffic Woes
By Al Yates
The recent announcement of the electrification of the NZ Bus fleet is a massive boost for completing the electrification of New Zealands public transport fleet. But it goes well beyond buses as it also proves that transport electrification is now economic across a growing number of sectors. In this article we discuss two key components of how Auckland’s traffic woes are about to be alleviated in the short to medium term with the stroke of two technological changes, Electrification of the Bus Fleet, and Driverless Shuttles. Read more
boyceavenue Published on Nov 13, 2016 Closer – The Chainsmokers ft. Halsey (Boyce Avenue ft. Sarah Hyland cover) on Spotify & iTunes
We recently traveled to Los Angeles to film a couple videos with our good friend Sarah Hyland. She is an amazing actress and has a beautiful voice.
Audio & Video Produced by Boyce Avenue
Engineered, Mixed & Mastered by Adam Barber
Directed & Arranged by Alejandro Manzano
MGKVEVO Published on Dec 1, 2016 Machine Gun Kelly, Camila Cabello – Bad Things
Directed by Hannah Lux Davis
TheWeekndVEVO Published on Nov 23, 2016 The Weeknd – M A N I A
Directed by Grant Singer
Produced by Saul Germaine & Nina Soriano
For Anonymous Content
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█ Parental Advisory and Viewer Warning:
The following video contains explicit content and depicts graphic violence which may be offensive to some viewers. Viewer discretion is advised.
TheWeekndVEVO Published on Oct 13, 2016 The Weeknd – False Alarm
False Alarm (Official Video). Taken from the new album Starboy.
Directed by Ilya Naishuller
Produced by Clarissa Troop
For Mirror Films / Great Guns
TheWeekndVEVO Published on Jan 12, 2017 The Weeknd – Party Monster
Party Monster (Official Video). Taken from the album Starboy.
Directed by BRTHR
Produced by Sara Greco & Jamee Ranta
For STRANGELOVE
Alan Walker Published on Dec 1, 2016 Alan Walker – Alone
Produced by: Bror Bror
Directors: Rikkard & Tobias Häggbom
Concept by: Lisa Hultengren, Johanna Hoffman & MER
Drone crew Bergen: Fredrik Hinsch & Kjetil Fredriksen
Drone operator Trolltunga: Tor Orset
Additional footage: Alexander Zarate Frez
Thank you to all the Walkers out there that contributed with footage and as extras in this music video. You are not alone.
EllieGouldingVEVO Published on Aug 25, 2016 Ellie Goulding – Still Falling For You
From the “Bridget Jones’s Baby” Original Motion Picture Soundtrack.
2CELLOS Published on Aug 7, 2013 2CELLOS – Highway To Hell feat. Steve Vai [OFFICIAL VIDEO]
Luka Sulic and Stjepan Hauser performing Highway To Hell by AC/DC with Steve Vai, from their album IN2ITION produced by Bob Ezrin.
Louisiana Channel Published on Feb 18, 2016 6 Architects: Building in New York
Six celebrated architects, including Bjarke Ingels, Liz Diller and Daniel Libeskind, here talk about what it’s like to build architecture that both matters and works in the iconic city of New York – from Ground Zero to The High Line.
“A building should not look like Lady Gaga,” says American architect Robert A.M. Stern (b. 1939), who feels that the city is made up of background and foreground buildings, and that it is important to learn how to let the buildings work together instead of isolating them.
Danish architect Bjarke Ingels (b. 1974) stresses how important it is to care about and understand the people one is designing for: “Architects need to re-insert architecture as something that people are interested in – not just architects – something that is important for society.”
“In a sense it was a non-site without ground to stand on.” American architect and founding partner of Snøhetta, Craig Dykers (b. 1961), talks about the challenging experience of building the 9/11 Memorial Museum Pavilion at Ground Zero.
According to American architect Thom Mayne (b. 1944), architecture is essentially “a way of thinking, exploring, inventing, making and participating in the world.”
American architect Liz Diller (b. 1954) discusses her fascinating project The High Line, which is a public park built on a historic freight rail line elevated plus 30 feet above the streets of Manhattan’s West Side.
“People stopped me: ‘Thank you Mr. Libeskind. You delivered what you promised’. They didn’t say anything else. They shook my hand. I thought that was the best compliment I could get.” Polish-American architect Daniel Libeskind (b. 1946) shares his personal story of getting to work on such a poignant project as Ground Zero.
All interviews by Marc-Christoph Wagner, Kasper Bech Dyg and Jesper Bundgaard/Out of Sync.
Produced by: Marc-Christoph Wagner
Edited by: Klaus Elmer
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2016
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Robert Stern’s buildings are calculatedly bland and boring, not helped by walking through them!
‘Real’ pre-Xmas Gaga – singing Million Reasons and Joanne, from the new album Joanne. [Live HD on Alan Carr’s Happy Hour 16/12/16], published by esclad. All rights belong to Channel 4.
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Performance/alternatives (who is she)
LadyGagaVEVO Published on Dec 20, 2016 Lady Gaga – Million Reasons (Live At Royal Variety Performance/2016)
Courtesy of ITV Studios and RVC
LadyGagaVEVO Published on Sep 20, 2016 Lady Gaga – Perfect Illusion
Maybe you’re just a dream
That’s what it means to crush
Now that I’m wakin’ up
I still feel the blow
But at least now I know
LadyGagaVEVO Published on Dec 14, 2016 Lady Gaga – Million Reasons
If I had a highway, I would run for the hills
If you could find a dry way, I’d forever be still
But you’re giving me a million reasons
LadyGagaVEVO Uploaded on Nov 23, 2009 Lady Gaga – Bad Romance
I want your psycho
Your vertigo shtick
Want you in my rear window
Baby you’re sick
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Stefani Joanne Angelina Germanotta, known professionally as Lady Gaga, is an American singer, songwriter and actress. She performed initially in theatre, appearing in high school plays, and studied at CAP21 through NYU’s Tisch School of the Arts before dropping out to pursue a musical career. After leaving a rock band, participating in the Lower East Side’s avant garde performance art circuit, and being dropped from a contract with Def Jam Recordings, Gaga worked as a songwriter for Sony/ATV Music Publishing. From there, recording artist Akon noticed her vocal abilities and helped her to sign a joint deal with Interscope Records and his own KonLive Distribution.
Stefani Joanne Angelina Germanotta was born on March 28, 1986, at the Lenox Hill Hospital on Manhattan’s Upper East Side to a Catholic family. She is the elder daughter of Cynthia Louise “Cindy” (Bissett) and Internet entrepreneur Joseph Anthony “Joe” Germanotta, Jr. Gaga is of 75 percent Italian descent, and also has French Canadian ancestry. Gaga’s sister Natali is a fashion student. Despite her affluent upbringing on Manhattan’s Upper West Side, she says that her parents “both came from lower-class families, so we’ve worked for everything—my mother worked eight to eight out of the house, in telecommunications, and so did my father.” More at Wikipedia.
“It’s horrific. What’s meant to be a festive and family time have been completely shattered by these accidents.” –Greally
### NZ Herald 6:21 AM Wednesday Jan 4, 2017 Holiday road toll ends, 19 dead
Nineteen people lost their lives on New Zealand roads over the Christmas and New Year period. The youngest victim was 2-years-old. The official holiday road toll ended at 6am today. It began on Friday, December 23. Last year’s holiday road toll saw 12 people killed on New Zealand roads, with 71 people seriously injured and 296 minor injuries, according to the Ministry of Transport. […] National road policing manager Steve Greally said earlier the high number of deaths was disappointing and devastating for families. Read more
Published on Dec 13, 2016 Meet the Blind Man Who Convinced Google Its Self-Driving Car Is Finally Ready | WIRED
Google is getting serious about self-driving cars. So serious that it put a legally blind man in one that drove him around safely on his own. The successful trip means that the tech giant can now launch its own self-driving car company, which it’s calling Waymo.
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Consumers will probably get their first taste of automated driving in the backseat of a robo-taxi.
### bloomberg.com 3 Jan 2017 1:01 p.m. NZDT It’s Aye, Robot, as Driverless Cars Finally Steer Near Showrooms
By Keith Naughton and Mark Bergen
● 140 CES exhibitors from Google to Audi seek auto-tech buyers
● Autonomy is ‘next major battlefield’ for global automakers
Car electronics supplier Delphi Automotive Plc went coast-to-coast in 2015 in a self-driving Audi Q5 sport-utility vehicle to prove the autonomous automobile had arrived. Now, Delphi is shifting from stunts to selling. In Las Vegas this week at CES, formerly known as the Consumer Electronics Show, the company will give test rides to hundreds of potential customers in driverless Audis over a course of rugged terrain and tunnels. The goal: to walk away from this critical conclave with a handful of hot prospects for its self-driving system. “The last two years at CES have been more about just showcasing the technology and saying, ‘Look what it can do,'” said Glen De Vos, Delphi’s vice president of advanced engineering. “This year, the discussion is all about the path to production.” Self-driving cars are finally making the leap from the lab to the showroom. Tesla Motors Inc., BMW, Ford Motor Co. and Volvo Cars have all promised to have fully autonomous cars on the road within five years. Alphabet Inc. just spun off its Google Self-Driving Car Project, renaming it Waymo, and then promptly unveiled its driverless Chrysler Pacifica minivan and said it’s in discussions to put its technology into Honda Motor Co. models. When CES officially opens Jan. 5, the talk won’t be about proving technology — it will be about selling to automakers, ride-hailing companies, transit services and, ultimately, consumers.
At a show once known for mobile phones and video games, vehicle technology will cover an exhibit space the size of four football fields, some 21 percent more than last year. Some 138 auto-tech exhibitors will all be seeking a piece of the autonomy business that Boston Consulting Group says will increase to $42 billion by 2025 and account for a quarter of global sales by 2035. And since it takes about four years to bring a car to market, now is the time to cut deals with suppliers and tech partners to outfit models with self-driving systems that will debut early next decade. Read more
█ For a QuickTake on issues surrounding driverless cars, click here.
Productivity is a measure of how efficiently production inputs are being used within the economy to produce output. Growth in productivity is a key determinant in improving a nation’s long-term material standard of living. —Statistics NZ ….[yawn]
Since March 2006, Statistics NZ has produced a yearly release of official measures of annual productivity for the measured sector. These measures are vital to better understanding improvements in New Zealand’s living standards, economic performance, and international competitiveness over the long term. Productivity is often defined as a ratio between economic output and the inputs, such as labour and capital, which go into producing that output.
Viddsee Published on May 18, 2016 Changing Batteries – A Robot “Son” Couldn’t Replace The Emptiness In Her Heart // Viddsee.com
‘Changing Batteries’ is a final year animation production made in Multimedia University, Cyberjaya, Malaysia. The story tells of an old lady who lives alone and receives a robot one day. Based on the theme ‘Change’, our story tells about their relationship development with one another through time.
Viddsee Published on Feb 23, 2016 Alarm – Relatable Animation For The Mornings // Viddsee.com
The story is about a salaryman living in a single apartment. But he has a problem getting up early in the morning. He would rather die than wake up early. He decides to set many alarm clocks everywhere in his apartment so he can get to work on time. The next morning, after struggling with his alarm clocks, he barely finishes preparing for work.
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WIRED UK Published on Jul 5, 2016 Shenzhen: The Silicon Valley of Hardware (Full Documentary) | Future Cities | WIRED
Future Cities, a full-length documentary strand from WIRED Video, takes us inside the bustling Chinese city of Shenzhen. We examine the unique manufacturing ecosystem that has emerged, gaining access to the world’s leading hardware-prototyping culture whilst challenging misconceptions from the west. The film looks at how the evolution of “Shanzhai” – or copycat manufacturing – has transformed traditional models of business, distribution and innovation, and asks what the rest of the world can learn from this so-called “Silicon Valley of hardware”. Directed by: Jim Demuth
Future Cities is part of a new flagship documentary strand from WIRED Video that explores the technologies, trends and ideas that are changing our world.
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BBC aired the documentary in November, with the following descriptor:
Best Documentary 2016 Shenzhen: The Silicon Valley of Hardware gives us an insider’s perspective on a system of creative collaboration that ultimately informs all of our lives.
The centre of the technology world may not lie in California’s Silicon Valley, but in the bustling marketplace of Huaqiangbei, a subdistrict of Shenzhen in China. This is where curious consumers and industry insiders gather to feast their eyes and wallets on the latest software, hardware, gadgetry, and assorted electronic goods. At the very start the film sets the scene to this fascinating technology mecca. A city populated by 20 million people, Shenzhen is the setting where advancement is most likely to originate at speeds that can’t be replicated in the States. The city’s vibrant and inventive tech work force takes over when the innovations of Silicon Valley become stagnant. The revolution may have started in the States, but its evolution is occurring in China. Working in collaboration, Shenzhen labourers craft unique upgrades and modifications to everything from laptops to cell phones. Their efforts then immigrate and influence the adoption of new products in other regions of the world. The infrastructure by which this is made possible is known as the ‘Maker movement’. In developer conferences and Maker exhibition fairs, tech geeks are encouraged to share their ideas freely with colleagues in the hopes that more open collaborations will form grander innovations. The film highlights how these attitudes stand in sharp contrast to the Western world where communications are secretive, monopolies are the norm and proprietorship is sacred. However, there are challenges faced by Shenzhen in maintaining their edge in the industry. While widely acknowledged as pioneers, Shenzhen’s prominence has faltered as the remainder of China has proven successful in their attempts to catch up. Adding to the frustrations, the government has interceded and moved manufacturing bases outside of the city. Meanwhile, figures from the world of investment financing have moved into the equation, and threatened to stifle creativity by imposing a more closed and impenetrable mode of operations.
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### dailymail.co.uk 30 Oct 2013 Ever wondered how everything you buy from China gets here? Welcome to the port of Shanghai – the size of 470 football pitches
By Daily Mail Reporter
Whether it’s the car you drove to work in, the computer at your desk or your children’s toys strewn across their bedroom floor, there’s a very good chance they have come from here. This is the world’s busiest trading port which handles a staggering 32million containers a year carrying 736million tonnes of goods to far-flung places around the globe. Stretching as far as the eye can see, rows upon rows of containers lie stacked up at the Port of Shanghai waiting to be shipped abroad and bringing in trillions of pounds to the Chinese economy in the process. It’s this fearsome capacity that has helped China become the world’s largest trading nation when it leapfrogged the United States last year.
The port has an area of 3.94 square kilometres – the equivalent of 470 football pitches. China’s breakneck growth rate in recent years has been driven by exports and manufacturing as well as government spending on infrastructure. In the last eight years alone, capacity at the Port of Shanghai has ballooned from 14million TEUs (a unit which is roughly the volume of a 20ft-long container) in 2004 to more than 32million last year. The rapid expansion was largely thanks to the construction of the Yangshan Deepwater Port, which opened in 2005 and can handle the world’s largest container vessels. That port alone can now shift around 12million containers a year.
Shanghai’s location at the mouth of the Yangtze River made it a key area of development for coastal trade during the Qing dynasty from 1644 to 1912. In 1842, Shanghai became a treaty port, which opened it up to foreign trade, and by the early 20th Century it became the largest in the Far East. Trade became stifled after 1949, however, when the economic policies of the People’s Republic crippled infrastructure and development. But after economic reforms in 1991, the port was able to expand exponentially. Read more
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David Carrier Published on Jan 13, 2017 World’s Biggest and Busiest Port Ever Made – Full Documentary
The Yangshan Deepwater Port is connected to the mainland by the Donghai Bridge, the world’s longest sea bridge.
Jordan Roseman (aka DJ Earworm) is a San Francisco-based mashup artist who has achieved recognition for his technically sophisticated, songwriting oriented music and video mashups. Wikipedia
Born: March 25, 1982 (age 34), Evanston, Illinois, United States
Education: University of Illinois at Urbana–Champaign
Genre: Mashup
Film music credits: By Foot
What if? Dunedin... 