Category Archives: Fun

Tremain, thin comfort #pixels

Garrick Tremain – 28 March 2017

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### ODT Online Sat, 25 Mar 2017
Defamation case against Little going ahead
Defamation proceedings against Labour Party leader Andrew Little by National Party donors and hoteliers Earl and Lani Hagaman will proceed. Mr Little publicly apologised yesterday after the Auditor-general found no link between a donation made by the couple and a hotel management contract.
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Strong Opinion #lost(rugby)balls

### Stuff.co.nz Last updated 16:35, March 27 2017
Rugby Heaven
Marc Hinton: With apologies to ballroom dancing, Aussie rugby decline hits new low
OPINION: Just when you thought it couldn’t get any worse for Australian rugby, along comes this. Fellow Kiwis, please keep your sniggering to acceptable levels.

Latest research from Australia shows that rugby union now ranks alongside ballroom dancing in terms of participation levels.

Can the news get any more dire for a code in a spiral of decline across the ditch?
In fact this latest body blow might now make it official: Australian rugby is in the toilet. No one flush the dunny. Australian teams have played a collective 24 matches in 2017. They have won just six of them. On top of the continuation of the abject performances by Australian Super Rugby teams, whose record against Kiwi opposition this season now reads played seven, lost seven, and the recognition they now lack the resources to field five teams in the southern hemisphere’s pre-eminent franchise competition, the playing numbers debacle might represent the knockout blow.
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Posted by Elizabeth Kerr

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*Image: clipartall.com – football 3209_1969

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iD Dunedin Fashion runway events

Otago Polytechnic Published on Mar 23, 2017
2017 iD International Emerging Designer Awards
Otago Polytechnic is proud to be a sponsor of the iD Dunedin Fashion Week. One of our favourite events is, of course, the iD International Emerging Designer Awards. In this coveted competition, students from Otago Polytechnic compete against others from around the world – this year there are 33 finalists. It’s Australasia’s largest emerging fashion design competition, and this year it’s at Dunedin’s historic railway station. For more info about studying fashion at Otago Polytechnic, rated in the world’s top 50 fashion schools, check out http://www.op.ac.nz/fashion

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At Twitter:

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ID Dunedin Fashion
March 23, 2017

Australian Finalist takes out 13th iD International Emerging Designers Awards
A stand-out Australian emerging designer collection that reinvents archetypal garments including the biker jacket and blazer has won tonight’s 13th annual iD International Emerging Designer Awards held at the Dunedin Railway Station in New Zealand. Australian-based Nehma Vitols from Sydney’s University of Technology tonight took out the H&J Smith $6,000 First Place prize with her collection, ‘XXX’ – described by judges as “inspired”, merging new fabric technology with handcraft while deconstructing familiar silhouettes in an entirely unique way. Paper, silk and cotton merge to form hybrid materials that oscillate between two and three dimensions and between garment and sculpture. During Vitol’s fashion education, the former student from the University of Technology, Sydney, was selected to participate in the Woolmark Global Studio Program in China and the Textile Print Global Studio in Pukshar, India. Alongside her Bachelor of Design, she completed a Bachelor of Arts in International Studies.
The judging panel made up of Tania Carlson, NOM*d’s Margi Robertson, Marc Moore from Stolen Girlfriends Club, Australian fashion editor Georgina Safe, and iD’s international guest for 2017 Paulo Melim Andersson say the standard of finalists at this year’s event was very high. An overriding focus of the designers was on the ocean with aquatic inspired collections and a renewed focus on sustainability. Says Andersson: “All of the collections are a result of research and a commitment to new ideas. There was little evidence of international referencing and instead each finalist created their own vision in a collection that was fresh, unique and original.”
Hosted by ZM’s PJ Harding and Jase Hawkins, 29 international emerging designer collections showed at [last] night’s 13th annual event, supported by Otago Polytechnic.

This year’s winners are:
● The H&J Smith First Prize ($6000) Nehma Vitols, University of Technology, Sydney, Australia
● Laffare Second Place ($4000): Lila John, University of Applied Arts, Vienna, Austria
● Gallery De Novo 3rd Place ($2000): Paul Castro, Royal Melbourne Institute of Technology, Australia
● The Fabric Store Award for Excellence in Design worth $3000 (includes $2000 fabric): Tess Norquay, Massey University, Wellington, NZ
● Dunedin’s Golden Centre Mall Most Commercial Collection Prize ($1000): Talia Jimenez University of Technology Sydney, Australia
● The NZME and Viva Editorial Prize (awarded to best NZ collection): Megan Stewart, Massey University, Wellington, NZ.
● The Emilia Wickstead Internship: Emily Cameron, Royal Melbourne Institute of Technology, Australia.

Backstage, Dr Margo Barton from the Otago Polytechnic School of Design and a team of students was in charge of managing the Awards, while Dunedin-based salon Klone Hair, led by Danelle and Karl Radel, took charge of the runway hair creations. Makeup looks for the models, supplied by Aart Model Management and 10 international models from the University of Shanghai Engineering Science, were created by the Revlon sponsored makeup team, led by Christal Allpress.
iD Dunedin Fashion Week is supported by the Dunedin City Council. iD Link

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Talented Swedish designer Paulo Melim Andersson is the International Guest Judge for this month’s iD Dunedin Emerging Designer Awards on 23 March. Andersson has designed for top European fashion houses Chloé, Marni Margiela and Zadig & Voltaire during his fashion career and he will show a retrospective collection at the iD Dunedin Fashion Shows at the Dunedin Railway Station on 24 & 25 March. Read more

Paulo Melim Andersson – Chloé 2007 [via fashionnz.co.nz]

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C U R R E N T ● E X H I B I T I O N

17-30 March – MUSE at Gallery De Novo, Stuart St, Dunedin
Dunedin artist Suzy Platt’s fashion illustrations are on show at Gallery De Novo in her new exhibition ‘Muse’. Suzy’s paintings recently caught the attention of renowned British photographer Nick Knight who asked her to illustrate the Haute Couture collections at Paris Fashion Week. The illustrations can also be viewed in London at the SHOWstudio Gallery.

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5.3.17 iD Dunedin Fashion Week 2017 [includes videos]

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Murray Ball, ONZM

Murray Hone Ball ONZM (26 Jan 1939 – 12 Mar 2017) was a New Zealand cartoonist who became known for his Stanley the Palaeolithic Hero (the longest running cartoon in Punch magazine), Bruce the Barbarian, All the King’s Comrades (also in Punch) and the long-running Footrot Flats comic series. In 2002 Ball became an officer of the New Zealand Order of Merit (ONZM) for his services as a cartoonist. More

gisborneherald Published on Mar 12, 2017
Murray Ball, Footrot Flats cartoonist, dies at 78
New Zealand has lost its most loved cartoonist, Gisborne’s Murray Ball.
Best known for the memorable characters in his cartoon strip Footrot Flats, the widely-respected artist died at home at 11.30am yesterday surrounded by family.

His wife Pam, three children and grandchildren were there, as well as Mr Ball’s brother Barry and close friends. Mr Ball had been out of the public eye due to Alzheimer’s, which he lived with for eight years. He was aged 78.
“It was a terribly sad and emotional day yesterday,” said Mr Ball’s wife Pam. “It was expected but it was terrible to see him go. It was lovely to have family and friends there but it was so, so hard the moment he went.” The family had received some wonderful tributes from around the world, she says.

Mayor Meng Foon described Mr Ball as a legend in our community. On behalf of the community, and the art in public places committee, he extended his heartfelt condolences to the Ball family. “Murray made us laugh, reflect and inspired us as proud New Zealanders. It was a great honour to present Murray’s key collection of cartoon books to the Beijing Olympic committee in 2008.” Mr Foon is pleased Wal and Dog will take pride of place at the entrance of the re-developed library. Murray, your legacy will take pride in Bright Street, a fitting place for such a bright shining star of our creative community.”

Gisborne artist and art teacher Norman Maclean remembers Mr Ball as a man of the soil who loved the country, animals and bird life. He also remembers him as a fine artist, although Mr Ball disagreed. “Murray used to say he was not an artist — which was ridiculous. His command of line was outstanding. For a time he broke into painting. His paintings were forceful, with a very strong line and a strong sense of immediacy.” The cartoonist’s sense of fun came to light while out riding with Mr Maclean. “The first time out he gave me a huge horse called Black. Murray knew what he would do at a certain point and that was to turn home. Black took off, my feet flew out of the stirrups and I heard hoots of laughter behind me.” Mr Ball was a complex figure though, says Mr Maclean. He was very serious-minded. “He thought deeply about political and social matters and had a great sense of justice and of a fair go for the average person.” Although he ascribed to no religion, he described himself as a Christian socialist and enjoyed many arguments with Mr Maclean about religion and philosophy.

In a tribute to Mr Ball, Prime Minister Bill English describes the Gisborne cartoonist as a thoughtful New Zealander “who took our unique sense of humour to the world”.

Cartoonist Tom Scott, who co-wrote the screenplay for Footrot Flats: The Dog’s Tale, told the New Zealand Herald Mr Ball was “funny and goofy and generous, and incredibly serious about inequality”. “He mourned the New Zealand he remembered being fair, and I guess if he had his life over again Murray would rather have been an editorial cartoonist.” Mr Scott also remembers Mr Ball as “an unbelievably strong, fit, handsome man all his life”.

New Zealand Herald cartoonist Rod Emmerson said Footrot Flats captured the essence of New Zealand farm life. “But farm life is virtually the same the world over, hence it quickly became a household icon both here and abroad. How lucky are we to have had the pleasure of Murray Ball’s home-grown genius to entertain us when we needed it most.”

The funeral service will be held at Bushmere Arms on Friday at 1pm.

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thatdickgmail Published on Oct 4, 2012
Footrot Flats Rugby Scene

Posted by Elizabeth Kerr

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GMRedWing Published on Jun 18, 2015
Footrot Flats – Wal’s Date gone wrong
Footrot Flats: The Dog’s Tale

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iD Dunedin Fashion Week 2017

Received.

From: iD Dunedin Fashion
Sent: Sunday, 5 March 2017 10:42 a.m.
To: Elizabeth Kerr
Subject: Just two weeks to go until iD Fashion Week 2017! 💋❤👠💅😍

[excerpts]

id-dunedin-fashion-week-2017

TWO WEEKS UNTIL iD DUNEDIN FASHION WEEK 2017!
With a full calendar of events designed to send you into fashion heaven, iD Dunedin Fashion Week 2017 kicks off on Saturday March 18, 2017! Featuring exhibitions, designer talks, runway shows, open design studios in the iD Hub at Dunedin’s Golden Centre Mall, and more, Dunedin is set to come alive with an amazing fashion week.

Tickets are still available from Ticketmaster for iD’s premier shows – the iD International Emerging Designer Awards and the iD Fashion Show at the Dunedin Railway Station.

Secure your seats today!

id-international-emerging-designers

iD INTERNATIONAL EMERGING AWARDS TO MOVE TO DUNEDIN RAILWAY STATION

This year’s iD International Emerging Designer Awards will be moved from the Dunedin Town Hall to the Dunedin Railway Station giving emerging finalists from around the world an opportunity to be part of the unique Railway platform runway experience associated with iD’s premier Fashion Show.

“This is an outstanding opportunity for these young designers to be more integrated with the overall events of iD Fashion Week,” says iD Committee Chair Cherry Lucas.

“Experiencing the magic of iD’s iconic runway show at the Railway Station as a new designer is exciting and unique. And for iD audiences, this is a fabulous opportunity to see the platform runway reinvented through the iD Awards, with all its distinctive, edgy and experimental qualities that people love to see.”

The venue will also enhance the audience’s experience, giving fashion lovers a closer look at the designs, say organisers.

“I’m so excited for the audience,” says Otago Polytechnic Professor of Fashion Dr Margo Barton.

“I get to see these creations up close every year but I never cease to be amazed by the creative talent out there. For the first time the audience will have that up-close experience too.”
Ms Lucas says the move to the Railway has also helped reduce set up time.

“This is the first year that we have had a large cruise ship visit on the day of our Railway Show. A growing number of logistical challenges were developing and it was decided that by bringing the set-up forward a day, many of the logistical challenges we were facing could be avoided or reduced.”

Ticketmaster and the iD team are working together to ensure all the current ticket holders receive similar seating to what has been purchased for the new venue. Current ticket holders will be contacted by Ticketmaster.

The iD International Emerging Designer Awards is supported by the principal partner for the event, the Otago Polytechnic.

iDFW insider Published on Mar 2, 2017
Meet 2017 iD Awards finalist Zhuxuan He
Meet University of Technology Sydney fashion graduate Zhuxuan He as she prepares for the 2017 iD International Emerging Designer Awards to be held in Dunedin, New Zealand in March.

CHECK OUT THE iD HUB AT DUNEDIN’S GOLDEN CENTRE MALL
As iD’s major sponsor, Dunedin’s Golden Centre Mall becomes the iD Hub every year, holding meet and greet experiences with international guests and awards winners, alongside catwalk shows, VIP events and shopping experiences. Dunedin’s Golden Centre Mall is the city’s most fashionable retail space, with shops such as Hype, I Love Paris, Storm, Ziera, and Platypus offering shoppers fabulous clothing and shoes from New Zealand and abroad. The Golden Centre has been a major partner with iD for the past seven years.

This year’s Hub offerings include an open studio from the Otago Polytechnic’s School of Design, meet-and-greets with iD awards winners on Friday March 24, and many more events that you’ll find at www.idfashion.co.nz.

[ends]

O T H E R ● V I D E O S

iDFW insider Published on Feb 15, 2017
iD Fashion week 2017 – Teaser
The 13th annual iD International Emerging Designer Awards will take place during iD Fashion Week (Dunedin, NZ) 18 – 26 March 2017. One of this year’s 35 international finalists Cecily Reed (a graduate of the Otago Polytechnic) shares some of her designs for the Awards.

iDFW insider Published on Oct 18, 2016
iD Fashion Show 2016
Set along one of the world’s longest catwalks on the platform of Dunedin’s historic Railway Station, the iD Fashion Show 2016 featured UK-based designer Emilia Wickstead, alongside top Kiwi designers including Kate Sylvester, Zambesi, NOM*d, Carlson, Company of Strangers, Mild-Red and Charmaine Reveley.

OtagoDailyTimes Published on Mar 17, 2016
Dunedin iD International Emerging Designer Awards
iD International Emerging Designer Awards is New Zealand’s largest fashion design competition and a highlight of the iD Dunedin Fashion Week. Thirty finalists have been selected from a field of over 90 applications from some of the world’s most prestigious design schools. All finalists will be in Dunedin to present their collection and vie for the cash prizes, internships and other benefits provided to the winning designers.

Channel 39 Published on May 1, 2016
Dunedin International Emerging Designers Awards 2016
Highlights of the 2016 iD Dunedin fashion week show. Featuring live performances from the ‘Dunedin Sound’ Musicians, zealander 2, Carter, Morley and Yeats….

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█ Criticism. Frankly, iD Fashion organisers, get over yourselves – let’s hope there’s better music for this year’s runway shows! The dismal so-called ‘Dunedin Sound’ was an abject failure, on and off made the audience grossly uncomfortable. Must’ve been bloody hard for the runway models – JFC, bad enough watching the videos!

Posted by Elizabeth Kerr

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Christchurch Cathedral : Marcus Brandt and the People’s Steeple Project

christchurch-cathedral-steeple-by-country-farm-garden-photos-cfgphoto-com-render1-1

While Bishop Victoria and the Anglican church property trust (CPT) continue to sit on their hands perhaps awaiting devine intervention, who knew, it turns out that a group of stalwart people in New Zealand – with an incredible level of international assistance – are busy planning a very special Cathedral project.

From: Mark Belton
Sent: Sunday, February 26, 2017 11:11 PM
To: [Elizabeth Kerr + RCC Mailing List]
Subject: Introducing The People’s Steeple

Dear Cathedral Restoration supporters

Below is a link to a video clip of the People’s Steeple proposal being demonstrated by its creator Marcus Brandt. Marcus has been in CHCH this last week promoting the People’s Steeple Project.

The People’s Steeple is a mind blowing proposal…audacious, visionary, inspiring. Lifting telescoping timber sections of the spire 60 metres into the sky…powered by about 500 trained people working 16 capstan winches placed around Cathedral Square, watched by up to 50,000 people in the Square.

The US based Timber Framers Guild (TFG), a professional organisation of engineers and timber framers has offered to be the lead contractor to build, assemble, and erect the People’s Steeple. The lead NZ engineers would be renowned CHCH timber engineer – Prof Andy Buchanan whose report on the project is attached.

Skilled TFG members from the US and around the world would gift their time, working in the Square preparing and assembling the timbers, and then helping lead the steeple’s erection. Up to 300 TFG members along with locals could be involved working in the Square over a period of about 6 months.

The TFG have successfully undertaken 75 community building projects over the last 25 years in the US and around the world. They are super keen to offer their services to CHCH. The TFG emphasise their projects are about ‘building communities’.

Marcus says would take only 2-3 hrs to lift and secure the telescoping sections. Flooring and bells would be assembled the same day and in the evening the bells would ring out…proclaiming to the world – ‘Christchurch is back’….and a Hangi feast would be opened…for a crowd of 50,000! International media would broadcast the event around the world…the whole enterprise being about engaging our community in the most positive way…and it would ignite fund raising for the restoration of the cathedral. It is envisaged the construction of the People’s Steeple would lead restoration of the cathedral and the Square.

It is noted huge pro bono contributions from the Guild’s members are being offered, and Blakely Pacific NZ Ltd, a US based forestry company has offered to provide the timbers at no cost from giant 125-year-old Port Orford Cedar from its Pioneer Forest in South Canterbury.

The Restore Christchurch Cathedral Group is strongly supportive of the People’s Steeple.

We hope this inspiring project will help engage and enthuse Christchurch people with recovery of the cathedral, and help get the cathedral restoration programme underway.

Warm regards

Mark Belton
Co-Chair, Restore Christchurch Cathedral

Mark Belton
Managing Director
Permanent Forests NZ Limited
PO Box 34, Lyttelton 8841, New Zealand

See attached reports by Marcus Brandt, Andy Buchanan, and the TFG.
TFG People’s Steeple Project approach notes-10-2-16
Steeple 16-8-12
M Belton report on Timber Framers Guild conf and People’s Steeple 23-9-16
Engineering the People’s Steeple v9

The People’s Steeple | Whare Films Published on Feb 23, 2017

christchurch-cathedral-tonyhphotography-co-nz-bw-render1-1

The People’s Steeple
Rebuilding the Bell Tower at Christchurch Cathedral

Marcus Brandt: An Introduction

For the last thirty years or so, I’ve been restoring historic stone and timber buildings, mostly in Southeastern Pennsylvania. I’m a working master carpenter and stone mason. Most of the historic buildings I am called to work on are 150 to 300 years old. Solid and well crafted, these old buildings tend to age well, but neglect and damage can take a toll. Much of my effort is spent in repairing and strengthening the timber frames of barns, bridges, houses, gristmills and churches. I’ve had several commissions to build new structures in the old style. I have organized and led many barn raisings, in which hundreds of volunteers gather to raise a barn’s frame in a day. A good crew will have the sides and roof on too.
Straightening, plumbing and repairing damaged stone walls is often called for. It is not uncommon to straighten a wall 10 meters high that is out of plumb by 400 or 500 mm. Having studied and worked with several Scots masons, I’m a strong believer in lime based mortars and good masonry practice. The interface between stone and timber is of particular interest to me.
Since 1989, I’ve been a professional member of the Timber Framers Guild (TFG) and a member of the Traditional Timberframe Research and Advisory Group (TTRAG). That part of the Guild focuses on understanding the past practice of the craft with a view that the past might help inform future practice. I have advised many historical and preservation societies and sat on many review boards.
As a result of my participation in Guild efforts and projects, I was invited to go to both Scotland and China to investigate “lost” technologies for the Public Broadcast Service series NOVA. We built working siege weapons in Scotland and in China we built a bridge design that hadn’t been built since the Mongol invasion.
I teach Traditional building skills at Lehigh University, Bethlehem, PA. I’m particularly interested in ways that the pre-industrial past practice can inform building in the greener, sustainable post-industrial world of the future.
I serve as a sailor, boson and ship’s carpenter aboard the tall ship Gazela (www.Gazela.org). That experience has taught me much about rigging and raising heavy loads in confined spaces. It’s taught me about erecting tall, secure, flexible, stable structures that get tossed about and shaken mercilessly. A sea captain in her own right, my wife serves as First Mate aboard Gazela. She out-ranks me, and helps keep me humble.
Since 22 February, I have been working as much as possible to develop a method to rebuild the Bell tower at Christchurch. With the help of friends and students, and the forbearance of my wife, I developed a plan that is beautiful, solid, strong, flexible, earthquake resistant, buildable, durable, and familiar. But more than anything, I want to use the rebuilding of the steeple as a vehicle for rebuilding and strengthening the community. And, once built, serve as an outward witness to the inward love we have for each other as fellow humans.
I look forward to doing this project with the able help of my best friends in the world…many of whom I haven’t yet met.

█ More information about the People’s Steeple Project and participants at http://thepeoplessteeple.org/

christchurch-cathedral-detail-mygola-com-tweaked

Related Posts and Comments:
23.12.15 Christ Church Cathedral: practical news from govt mediator…
14.7.12 Rival newspaper on historic heritage #cathedral
2.3.12 Christ Church, Cathedral Square

Posted by Elizabeth Kerr

This post is offered in the public interest.

christchurch-cathedral-detail-with-chalice-sisson-photography-photoshelter-com

christchurch-cathedral-mudbirdceramics-blogspot-co-nz

christchurch-cathedral-5-aug-2003-by-cindy-staticflickr-com-tweaked

*Images: Christchurch Cathedral – (from top) colour render by whatifdunedin [photo source: Country Farm Garden Photos at cfgphoto.com]; black white render by whatifdunedin [photo source: Tony H Photography at tonyhphotography.co.nz]; colour photo of steeple detail [mygola.com]; cathedral with chalice by Sisson Photography [via photoshelter.com]; black white photo by Mudbird Ceramics [mudbirdceramics.blogspot.co.nz]; colour photo by Cindy taken on 5 Aug 2003 [via staticflickr.com]

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Katy Perry hamster safe

KatyPerryVEVO Published on Feb 9, 2017
Katy Perry – Chained To The Rhythm (Lyric Video) ft. Skip Marley

Directed by: Aya Tanimura
Executive Producer: Danny Lockwood
Produced by: Cailin Lowry and Nicholas Ruff
Director of Photography: Mario Contini
Production Designer: Audrey Rosenberg
Post-Production Services: Coyote Post
Editor: Sean Horvath
Colorist: Matthew Schwab
GFX: Vince Walker, Bogdan Ciornei, Adam Petke
Miniature Food: Walking With Giants

Starring Mr. Parsons the Hamster and Rory Ruff

All food eaten by Mr. Parsons was made with hamster safe ingredients.
American Humane monitored the animal action. No animals were harmed.

Billboard.com
Watch Katy Perry’s Delicious ‘Chained to the Rhythm’ Lyric Vid: Bouncing Hamsters, Micro-Burgers & Teeny Spaghetti
2/10/2017 by Gil Kaufman
Katy Perry goes real small in the lyric video for her brand new single, “Chained to the Rhythm”. While the singer doesn’t appear in the clip, she does make sure some delicious micro-meals get prepared for a family of adorable hamsters. There’s really no other way to explain the out-there visual for the bouncy reggae-tinged track co-written by Sia and featuring Skip Marley, grandson of reggae legend Bob Marley. 
Directed by Aya Tanimura, the adorbs clip features a hamster emoji bouncing over the lyrics (“so comfortable, we’re living in a bubble, bubble/ So comfortable, we cannot see the trouble, trouble”) as a pair of hands delicately cook up micro-burgers and teeny spaghetti for a rodent family. Is KP making a statement about the state of our world with the repeated cuts to hamsters running endlessly on wheels? Who knows?
The thing is damn cute, though.
Read more

Posted by Elizabeth Kerr

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