Received from Hype O’Thermia
Saturday, 18 May 2013 4:41 p.m.
External cladding and glazing treatment (Dunedin study)
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Posted by Elizabeth Kerr
*Image: Red Carpet Fashion via stuff
Artist sculptor Shane McGrath successfully built and flew, with the help of friends, a helium-filled yellow blimp today at Customhouse Quay in Dunedin.
Relatively still air conditions twice allowed the ‘friendly’ luftballon to gain maximum height – simulating, indirectly, the proposed height (96.3 metres) of the hotel and apartment tower planned for the vacant site across the road at 41 Wharf Street.
McGrath had earlier made sure the planned flight received CAA clearance.
The blimp contained smaller balloons filled with the gas to guard against a sudden downing. A small team of men, including McGrath, coordinated the length and position of the guide-lines, keeping the blimp off surrounding buildings and roads, and out of harbour waters.
The bright photogenic structure – alternately Lemon, Zeppelin, Chrysalis – hovered impressively overhead for half a day, long enough for professional photographers and camera people to take stills and recordings from the site and prominent vantage points around the city.
Gerard O’Brien’s outstanding photographs place the Gelber LuftBallon in the city context – see tomorrow’s Otago Daily Times.
Enter hotel in the righthand search box to learn more about the proposed hotel and apartment building for 41 Wharf Street.
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Posted by Elizabeth Kerr
Filed under Architecture, Business, Construction, Design, Economics, Events, Fun, Hot air, Innovation, Inspiration, Media, Name, People, Pics, Politics, Project management, Property, Site, Town planning, Urban design
I missed it – the press release of Thursday 21 March, issued by Otago Polytechnic.
Icelandic Activist To Speak At Dunedin School Of Art
Iceland democracy activist and artist Hordur Torfason will be speaking at Otago Polytechnic’s Dunedin School of Art on Wednesday the 27th of March, as part of a series of nationwide talks on modern democracy. cont.
By chance, at morning coffee a friend mentioned the speaking event and offered a ride there. Well. Not one speaker, but two – our good fortune doubled.
All Dunedin residents should have downed tools, pots and pans to attend.
The two men from Iceland, Hordur Torfason and life partner Massimo Santanicchia, each delivered a session at the School, with Santanicchia up first.
They shared intriguing, calm, sensible statements about their lives and work, about the quality and countenance of human social interaction, within a gripping exposé of the capitalist drain and the peaceful revolution that occurred in their financially devastated homeland, with thoughts to urbanism, greed, discrimination, corruption, property speculation, sick governance, economic collapse, human rights, the lobby power of silence, noise and internet, and the Icelandic people’s hard-won solidarity for change.
A compelling two-hour glimpse at a nation losing and finding itself.
Iceland’s capital city, Reykjavik, is the strongest of mirrors held to Dunedin’s glaring errors of recent and pending ‘big’ construction, economic blunders, and forces of business and political corruption – in turn, Dunedin reflects our nation’s wider political and economic struggles.
[Dunedin, we're not crippled here yet... but New Zealand? Blind rhetoric.]
Proposed hotel and apartment building, Dunedin (ODT Online, 21 Dec 2012)
While on our photowalk today we passed these buildings on the sea front. I thought they were just another apartment building until I noticed that the balconies were fenced in by planks of wood held together loosely!
Donncha O Caoimh (9 March 2012)
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Originally from Perugia, Italy, Massimo Santannichia graduated from the School of Architecture in Venice in 2000 and holds an MA from the Architectural Association, School of Architecture in London, and an MSc in Urban Studies from the London School of Economics. He has been working as an architect and urban designer in Italy, the UK and Iceland. Over the last decade he has come to know Reykjavik intimately. Essentially an outsider in the tightly knit Icelandic society he has survived the downturn by moving from the firm Arkitektur to a plethora of internationally connected activity – delivering courses at the Iceland Academy of Arts since 2004 and coordinating projects and workshops with organisations such as the International Peace and Cooperation Centre and the Architectural Association.
Santanicchia’s research interests include relations between the ecological, physical, social and economical aspects of cities. He has lectured extensively on the subject of sustainable cities and small scale urbanism in Zurich, Athens, Oslo, London, Venice, Riga and Reykjavik.
Santanicchia, second from right (AA Summer School promo for July 2013)
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The Production of Space: The lesson from Reykjavik
According to Santanicchia, small cities (less than 500,000 inhabitants) host fifty-two per cent of the world’s urban population, yet they are profoundly neglected in the urban studies field. His presentation at the School of Art focused on the small city of Reykjavik (118,326 inhabitants), investigating how the planning system is trying to build a new urban strategy away from the world city model which was adopted until the banking collapse of 2008.
Reykjavik, Iceland – vernacular housing (trekearth.com)
Commodifying the view…
In particular, Santanicchia noted Reykjavik’s receipt of its first ‘tall buildings’, a crop of extraordinarily bleak apartment developments set against the vernacular lowrise, 3-4 storeyed townscape, blocking existing residential views of the coastline – through to (now dead) speculative drive-to malls and commercial buildings ['build it and they will come'] further problematised by the profound lack of public transport and infrastructural support to the (then) ‘new phase’ of development.
Throughout the commentary, the physical and moral contradictions were purposefully illustrated by well-selected slides, quotations, and use of statistics. Santanicchia’s creative and socio-political approach to what ails, and demonstrations of how to foster community investment in sustainable environment, is the busy-work of a contemporary intellectual with a warm humanity, grounded in the discipline of practical economics working for the public good.
He and students have won grants to set ‘in place’ temporal urban interventions that sample ways forward for the local community, utilising vacant and degraded public places; demonstrating creative re-design / re-forming of the opportunities lost to the blanket of capitalist-grey asphalt – making places that create “trust” between institutions and among people.
[This work is very similar to that of Gapfiller in post-quake Christchurch.]
Reykjavik’s dislocated waterfront (‘reconnection’ project work)
Copy of Santanicchia’s presentation slides and readings will be made available through Professor Leonie Schmidt (Head of School).
A few points he made along the way, from my notes:
● When “priority is given to economic development”… the city becomes all about ‘building envelope’, ‘the city as a series of volumes’ (bulk and location) | “Management of the economy is not a city, is not urban planning.”
● In 2008, Iceland’s economy shrank 90%. The economy devalued by more than 100% in one week. 1000 people emigrated which kept unemployment low.
● “Big-fix” solutions don’t work in a small city.
● The DANGER of “one idea”… “it is NOT a plurality”.
● “The WORST is what was built.” Flats and parking lots. No public transport. No sharing. 7000 apartments at Reykjavik are redundant. 2200 properties have been acquired by the banks.
● “The WORST neighbourhoods were created in the richest years.”
● The government didn’t protect the weakest. “The architecture failed because it placed itself at the service of political and economic interests with very little regard for social interests.”
● (Jane Jacobs, 1984): “The economic model doesn’t provide niches for people’s differing skills, interests and imaginations, it is not efficient.”
● (Aldo Rossi): “Building a city is a collective effort.” [empower the people]
● Post-crash, Iceland’s birthrate has increased and children are happier.
● “Trust is about participation.” Better institutions, social justice, equity and public/private relationships.
● Zurich: They used 4 hot air balloons to indicate the height and bulk of a proposed tower development, prior to public submissions being received on the proposal.
[In evidence, at Dunedin, Betterways Advisory said it couldn't afford to provide a height indicator at 41 Wharf St - and where do you get balloons from anyway, it asked.... Mr Rodgers (Betterways), we know, took his mother-in-law ballooning in Germany recently. Perhaps he could have made a stopover in the Mackenzie Country on his way home.]
### architecturenow.co.nz 25 Mar 2013
Massimo Santanicchia visits New Zealand
By Stephen Olsen
Auckland’s Wynyard Quarter has won high praise from Reykjavik-based architect Massimo Santanicchia for the “observable scaffolding” it is providing for an area in transition.
Santannichia knows a thing or two about making waterfront spaces more accessible from sparking a design revival at the harbour’s edge of the world’s northernmost capital last year, within the context of an award-winning programme known as the Meanwhile projects.
Santanicchia has also been drawing audiences to hear his views on the ways in which Iceland’s largest city is embracing a more human scale of urbanism in the wake of the financial crash.
Read more
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Hordur Torfason followed with a punchy impassioned delivery, spoken with a run of crowd scenes and peaceful protest images repeating behind him.
In describing post-crash Reykjavik as a scene of ferment and healing, Torfason took us through specific mechanisms for the peaceful revolution that has worldwide and local application – hear that, Dunedin.
Shortly, Torfason will head to workshops in Cypress. The following interview (2011) covers the gist of his lecture.
An outstanding multi-talented individual, he told his story from the age of 21 (1966), of how he grew the personal confidence and expertise (“proving talent”) to lead the people of a city and a nation to overturn the Icelandic Government and jail the bankers. He said Parliament has almost lost all respect amongst all Icelanders. Nevertheless, there is a bill in passage to make Iceland a Safe Haven for journalists, whistleblowers, international media – protected by law.
● He maintains the role of the artist is to criticise, that criticism is a form of love: “We have to use reason, cultural roots, feelings and the precious gifts of life – our creativity”, to ensure human rights aren’t undermined by economic growth and politics.
● “It’s about learning every week, every day, new sides of corruption,” he said. “Inequality is a tool for extortion, a way to maintain The System.”
● Inequality won’t be removed by conventional systems: “If you want to move a graveyard, don’t expect the inhabitants to help you.”
● “The internet has to be protected to dislodge the monster.”
● “One big party owns one big newspaper for Iceland.” According to that paper there was no crash.
● The key word is AWARENESS. The silence of government was upsetting to the people; it meant the people used silence as a mirror to the government and politicians, to protest their rights. The cohesiveness and cleverness of the protest, the silent revolution, achieved 100% success. “They the media won’t tell you [the rest of the world] about it.”
● “Stick together and use the internet.” Make Plan A, B, C, D, E. Protest by peaceful revolution v Arrogance.
● Just 25 people from around the world are responsible for the crash, and one of them was the leader of Iceland’s national bank.
Hordur Torfason (Juan Carlos Monedero, June 2011)
### grapevine.is August 4, 2011
You Cannot Put Rules On Love
An Interview With Hordur Torfason by Paul Fontaine“I tell people, ‘I’m not demonstrating. I’m fighting for a better life.’ I think aloud, ask questions, seek answers. I knew there was corruption in this country. But I never thought in my wildest dreams that the banks would crash. We have been told lie after lie after lie, and people just accept them. They say ‘þetta reddast’ ['it'll all work out'], until it affects them personally, and then they come screaming.”
The 2008 economic collapse of Iceland would send Hordur’s life path in a whole new direction—one that would take him beyond the bounds of even his own country.
Read more
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Posted by Elizabeth Kerr
Filed under Architecture, Business, Construction, DCC, Design, Economics, Events, Geography, Heritage, Innovation, Inspiration, Media, Name, People, Pics, Politics, Project management, Property, Site, Town planning, Urban design, What stadium
Comment received.
Anonymous
Submitted on 2013/03/09 at 12:00 pm
I think he should give them a computerized virtual environment where they can be kept busy designing and implementing their perfect virtual world without causing any actual cost or damage to our city. – JimmyJones
Timing! For around a hundred Dunedin City Ratepayer Dollars those council ‘urban designers’ could implement JimmyJones’ suggestion with the latest version of SimCity:
### Stuff Online Last updated 05:00 09/03/2013
World’s greatest urban planner
SimCity: The Best Urban-Planning Simulation Ever
By Farhad Manjoo
http://www.stuff.co.nz/technology/games/8401339/Worlds-greatest-urban-planner
[ends]
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Like in real life, your city’s resources are now finite. –Farhad Manjoo
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Posted by Elizabeth Kerr
Filed under Architecture, Business, Construction, DCC, Design, Economics, Geography, Heritage, Hot air, Media, Name, People, Pics, Politics, Project management, Property, Site, Sport, Stadiums, Stupidity, Tourism, Town planning, Urban design
### ODT Online Wed, 13 Feb 2013
Opinion
Cable car project has popular aims
By Phillip Cole
Achieving an 86% positive response to the recent online ODT poll – ”`Would you like to see a cable car operating up High St?” – was a pleasant, but not surprising, result for the Dunedin Cable Car Trust. From the 994 votes cast, 852 were in favour. The votes reflect the opinion of just under 1% of Dunedin’s population, but it is enough to give us encouragement. Recreating the cable car on High St creates enormous challenges. To overcome these, the trust needs to be pragmatic and innovative to make sure Dunedin is left with an asset rather than a liability. To this end, the trust has spent a lot of time developing a project that will appeal to, and have the support of, a majority.
Some, including those in support of the cable car, are still under the misconception money for the project will come from the Dunedin City and Otago Regional Councils. However, the first matter agreed was that the trust was not going to ask the councils for a cent. We want to create a project the people of Dunedin and further afield can get behind and feel part of. Those who don’t want to support the project would be under no financial obligation to do so.
Read more + Images
● Phillip Cole is chairman of the Dunedin Cable Car Trust (est. 23 July 2008)
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Dunedin had the first cable car system outside of the United States opening in 1881. San Francisco Municipal Railway became the sole operator of cable car service in the world with the closure of the Mornington line in Dunedin on 2 March 1957.
Related Posts and Comments:
15.1.13 Return of High Street cable car
23.12.11 High Street cable car update
27.8.10 Invitation to ALL #High St Cable Car
25.11.09 High Street cable car
23.11.09 High Street Cable Car a possibility
19.10.09 Cable Car Meeting @Dunedin
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Posted by Elizabeth Kerr
Filed under Architecture, Business, Construction, Design, Economics, Fun, Geography, Heritage, Innovation, Inspiration, Media, Name, People, Pics, Politics, Project management, Property, Site, Town planning, Urban design

Source: ODT Online 2.12.12 [screenshot]
Peter McIntosh takes a great shot. Touching! This was just before old Trigger was led out to paddock and shot. Since processed as pet food.
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Related Posts and Comments:
26.11.12 Proposed hotel, 41 Wharf Street – indicative landscape effects
20.11.12 City planner’s report recommends against consent for hotel
10.11.12 Dunedin Hotel, 41 Wharf Street (LUC 2012-212)
8.9.12 Waterfront Hotel #Dunedin (Applicant names?)
7.9.12 Waterfront hotel: DCC to notify resource consent application
16.5.12 Dunedin Hotel
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Trigger led a double life:
Source: ODT Online 21.11.12 [screenshot - detail]
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Posted by Elizabeth Kerr
Filed under Architecture, Business, Construction, DCC, Design, Disinformation, Economics, Events, Fun, Hot air, Media, Name, People, Pics, Politics, Project management, Property, Site, Stadiums, Stupidity, Town planning, Urban design
Michele Frey and Sara Newman
Photographs John Maillard and John O’Malley
November 2012
RRP $45
Paperback, 260pp, 235 x 235mm Full Colour
ISBN 978-1-927145-37-1
Canterbury University Press
http://www.cup.canterbury.ac.nz/catalogue/saturday_night.shtml
Yeah, it’s great being out with the jokers
When the jokers are sparking and bright,
And its great giving cheek to the sheilas
Down the hall on a Saturday night …
Peter Cape, 1958
On a Saturday Night is a warm and colourful celebration of the strength and spirit of small towns all around New Zealand. From Whakapara in the north to Mossburn in the South, community halls have been the focal point of small towns for as long as the towns have been on the map.
These halls have hosted school classrooms, general elections, stag parties, birthday parties, film screenings, Rabbiters’ Balls, flag euchre evenings, farewells and welcome-home parties for servicemen from both world wars, memorial events for those who did not return, farm auctions, clearing sales, weddings, Christmas parties, Civil Defence teams, mayoral celebrations, church services …
Some halls have been demolished and rebuilt over the decades, other have been lovingly restored several times and are still going strong. Some halls have been transported on the backs of trucks to new locations as towns have grown and changed. Fires and floods have taken their toll in more than a few cases.
Michele Frey and Sara Newman visited these halls with photographers John Maillard (North Island) and John O’Malley (South Island) to talk to the locals and try to capture the essence of what each hall has meant – and means – to its community. In these stories and pictures they have recorded an aspect of New Zealand’s unique culture that seems to be passing into history.
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Michele Frey is a Strategic Planner (Natural Environment and Recreation) for Opus International Consultants Ltd in Napier. She has always had a strong affinity with the notion of community, and seized eagerly upon the idea of producing a book on small-town halls, with the opportunity it offered to gain insights into the dynamics of small New Zealand communities. Along the way she developed some lifelong friendships. This is Michele’s third book for Canterbury University Press.
Sara Newman grew up in a small town and knew all about the importance of community halls. She has had articles published in magazines in New Zealand and abroad, including Takahe and New Zealand Memories. While a member of the South Island Writers’ Group she won the Ngaio Marsh Trophy for fiction in 2009. Her work is included in several anthologies and her family history Living Between the Lines has been read on National Radio. She loved visiting the halls and meeting the people involved with them.
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### radionz.co.nz Friday 26 October 2012
Country Life
with Carol Stiles, Susan Murray, Cosmo Kentish-Barnes & Duncan Smith
http://www.radionz.co.nz/national/programmes/countrylife/2012102621:18 On a Saturday Night
Sara Newman talks about a new book she has co-written with Michelle Frey about the community halls of small town New Zealand. (10′08″)
Audio | Download: Ogg Vorbis MP3 | Embed
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Posted by Elizabeth Kerr
Filed under Architecture, Business, Concerts, Construction, Design, Economics, Events, Fun, Geography, Heritage, Inspiration, Name, NZHPT, People, Pics, Politics, Project management, Property, Site, Urban design
Otago v Tasman (ITM Cup)
Received today.
Calvin Oaten says (via email):
“In Sat. ODT it credited the Friday night game crowd at 6780. These are a scan of the crowd by Jeremy. Can you see any more than about 2000?”
Rugby: Otago gets up to make final
http://www.odt.co.nz/sport/rugby/231255/rugby-otago-gets-make-final
Images [JPGs] supplied by Jeremy Belcher. Screenshot: What if?
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Posted by Elizabeth Kerr
Early this morning a new blog was launched by D.R. (David) Murray, Dunedin-based archivist, historian and musician.
The blog will look at the design of buildings (existing and demolished) and the careers of their architects, but it will be as much about social and other aspects of history.
“Why write it? Hasn’t plenty been published already? Well, there are some good books out there, but many fascinating buildings still haven’t been written about, and research keeps bringing up new (and sometimes contradictory!) information about the more familiar ones. A good old-fashioned trawl through archives is still rewarding, and through the internet many resources that were hard to find or slow to search decades ago are now much easier to access.”
The inaugural post features Hallenstein’s New Zealand Clothing Factory at 18-20 Dowling Street.
“Architect David Ross was a Scotsman who worked in Dunedin from 1862 and the factory was one of his last projects here before he moved to Auckland. Ross designed some of Dunedin’s most familiar buildings, including the Congregational Church in Moray Place and the older part of the Otago Museum. Although he sits a little in the shadow of the famous Mr Lawson, he remains the only Dunedin architect to have become a Fellow of the Royal Institute of British Architects.”
We look forward to further building entries elaborating Dunedin’s richly diverse cultural heritage. Recommended – follow.
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Posted by Elizabeth Kerr
Filed under Architecture, Construction, Design, Heritage, Inspiration, Media, Name, NZHPT, People, Pics, Property, Site, Town planning, Urban design
To be worn with corporate wash-and-wear crimplene pants. All heavy neck jewellery is banned, removing distraction from weak chins.
Thanks to Source.
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Posted by Elizabeth Kerr
Comment received from daseditor
Submitted on 2012/05/26 at 8:18 pm
[24.5.12] Edmund Anscombe and the Anzac Avenue Trees
With your discussion of the alignment I hope you’ll also take the time to read the article above on the Anzac Avenue trees. The alignment construction looks as though it has severely affected a critical area of the city’s landscape heritage which is linked to the work of prominent architect Edmund Anscombe.
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Images supplied by Anonymous*
The image dates relate to Google Earth snapshots: 2005 January, 2006 March, 2009 July, 2011 January, and 2011 September. 2004 is available but heavy cloud cover obscures the view.
SH88 – Google Earth images including the quarry and Logan Park sports field.

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SH88 – The same images cropped to SH88 entry and exit points.

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SH88 – The Google Maps image which marks the road.

*Several contributors at this website use the title Anonymous.
Related Post with Links:
25.5.12 SH88 realignment costs (injunction)
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Posted by Elizabeth Kerr
Filed under Construction, DCC, Design, Economics, Geography, Pics, Project management, Property, Site, Stadiums, Town planning, Urban design
This city is a warm, tender-hearted place. It attracts honeymoon hotels.
STADIUM COST
Cull on tape yesterday
http://www.odt.co.nz/news/dunedin/208611/dunedin-stadium-posts-19m-loss
“The financial funding and operating model of the stadium was put in place to convince people to build it,” he said. “Clearly, it was optimistic.”
Farry on tape last night
http://www.ch9.co.nz/content/stadium-funding-debate-raises-ire
Farry today at ODT
http://www.odt.co.nz/news/dunedin/208857/culls-comments-anger-farry
Mr Farry said the mayor “is quite entitled to his opinion and to be critical. What angers me is that he has stooped to innuendo and baseless allegations”.
Mr Farry said the CST’s integrity had been “impinged” by the mayor’s criticism.[...]Asked if he was considering taking legal action against the mayor, Mr Farry said he was not. “But this should not be interpreted by Mr Cull as a free licence. There is a limit to anybody’s patience and tolerance.”
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DEFAMATION
Today at ODT (Link)
Mr Cull yesterday issued a statement in response to the ODT article which detailed the statement of claim of Otago Rugby Football Union board members Wayne Graham and Laurie Mains, who are each seeking more than $500,000 in damages from the mayor over allegations of defamation.
Yesterday at ODT
http://www.odt.co.nz/news/dunedin/208692/graham-mains-each-seek-500000-plus-damages
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Posted by Elizabeth Kerr
Filed under Architecture, Business, Construction, CST, DCC, DCHL, DVL, DVML, Economics, Events, Hot air, Media, ORFU, People, Pics, Politics, Project management, Property, Site, Sport, Stadiums, Stupidity, Town planning, Urban design
Hocken Gallery, Hocken Library 21 April – 18 August 2012
90 Anzac Avenue, Dunedin
Phone 03 479 8871
Open weekdays: 9am- 5pm, Tuesday: 9am – 9pm
Saturday: 9am – 12 noon
www.library.otago.ac.nz/hocken
Find out more about this exhibition at
http://library.otago.ac.nz/hocken/exhibitions
Take a glimpse at what Hocken has been up to recently at
thehockenblog.blogspot.com
View thousands of paintings at http://digital.otago.ac.nz
Search 33,000 photographs and purchase prints online at
http://hockensnapshop.ac.nz
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More about the exhibition at ODT Online
http://www.odt.co.nz/entertainment/arts/205957/call-running-tide
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Posted by Elizabeth Kerr
Filed under Construction, Design, Events, Fun, Geography, Heritage, Inspiration, Media, Pics
During a previous ownership, the historic Standard Insurance Building in the Exchange had its street elevation stripped of all decorative plaster detail. Fortunately for the city the current building owner, Exchange Renaissance Ltd, has honoured to reinstate the lost ornament.
Plaster craft specialist Daniel Pollard of Historic Building Conservation has been engaged to render the work.
The Standard Building at 201 Princes St is located between the old National Bank and the old Bank of New Zealand. A call for historical photographs of the original Standard Insurance Building facade has gone out to inform the facade reinstatement project.
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A small number of historical photographs have been located, including the two images published here with the building owner’s permission. However, the photographs obtained provide an insufficient level of detail to successfully design and render the capitals of the arched windows.
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The style of the building and the historical photographs together suggest a Corinthian-style capital was used orginally; the pilasters being square further define the shape. However, many different styles of Corinthian capitals are apparent on buildings of this era, therefore photographs of the Standard Building prior to 1969 are needed.
• Someone may have taken photographs of the old BNZ and National banks that include a view of the Standard Building’s capitals.
• Someone may hold original plans or records of the building, or know someone who was commissioned to remove the capitals in 1969.
If so, please contact Daniel Pollard, Historic Building Conservation, with your information.
Email: info@buildingconservation.co.nz
Phone: 03 489 0930
Mobile: 021 047 4007
Related Post:
24.10.11 Former Standard Insurance building, 201 Princes St, Dunedin
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Posted by Elizabeth Kerr
Filed under Architecture, Design, Heritage, Inspiration, Name, People, Pics, Project management, Property, Site, Urban design
“We are realistic in that it is not just a question of getting it built; it is a question of keeping it funded after it is built.” -Phil Cole
### ODT Online Fri, 23 Dec 2011
Cable car plans shared
By Hamish McNeilly
Members of the trust aiming to resurrect the High St cable car have met Dunedin City Council officials to discuss their plans. Dunedin Cable Car Trust chairman Phil Cole confirmed a meeting with council representatives had taken place this week, but said the trust was not asking the council for financial assistance. The trust was asked to submit on the draft spatial plan and the transportation strategy for next year, and “this is encouraging”, the Dunedin-based transportation engineer said.
Read more
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Old cinematography of Dunedin Cable Cars 1930 to 1950. (7:33)
Cable Car Terminus, Mornington, Dunedin, N.Z. (postcard)
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Related Posts:
27.8.11 Invitation to ALL #High St Cable Car
25.11.09 High Street cable car
23.11.09 High Street Cable Car a possibility
19.10.09 Cable Car Meeting @Dunedin
Cable Car Links:
http://www.elibrarynz.com/BLOG/WEB-2/Dunedin%20cable%20tramway%20system.htm
http://www.cablecarmuseum.org/archive/Library/Dunedin.htm
http://en.wikipedia.org/wiki/Cable_car_(railway)
http://www.cable-car-guy.com/html/cchow.html
http://www.cablecarmuseum.org/archive/index.html
http://www.nzine.co.nz/views/cablecars.html
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Posted by Elizabeth Kerr
Filed under Architecture, DCC, Design, Economics, Fun, Geography, Heritage, Innovation, Inspiration, People, Pics, Project management, Site, Urban design
Filed under Architecture, Construction, CST, DCC, DCHL, Design, DVL, DVML, Economics, Events, Geography, Hot air, ORC, People, Pics, Politics, Project management, Site, Sport, Stadiums, Stupidity, Town planning, Urban design
Macandrew Bay Primary School is hosting the Peninsula Art and Craft Auction at the Guthrie Pavilion, Shore Street, on Thursday evening, 3 November (see poster for details).
The ticket price includes one complimentary drink and nibbles.
Tickets may also be purchased on the night.
Downloads:
POSTER 2011 rev (PDF, 1.97 MB)
Catalogue with Photos.v2 (PDF, 1.79 MB)
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Posted by Elizabeth Kerr
Filed under Design, Events, Fun, Innovation, Inspiration, People, Pics
Views from my Pitt Street apartment during the July snow -
(top) Richardson Building, (below) Zooloogy Building roofscape, Commerce Building, Richardson at left
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Posted by Elizabeth Kerr
Filed under Architecture, Construction, Design, Geography, Heritage, Innovation, Inspiration, Pics, Site, Urban design, What stadium
Industrial heritage, exquisite.
### yatzer.com 26 January 2011
A former Cement Factory is now the workspace and residence of Ricardo Bofill
By Marcia Argyriades
The Cement Factory was discovered in 1973, it was an abandoned cement factory and partially in ruins, comprised of over 30 silos, underground galleries and huge engine rooms; Ricardo Bofill bought it and began renovation works. He identified the program; The Cement Factory was to be used as architectural offices, archives, a model laboratory, and exhibition space, an apartment for him, as well as guest rooms and gardens.
He defined the space by demolishing certain structures, cleaning cement, exposing previously concealed structures and creating the landscape architecture by planting various plants such as eucalyptus, palms, olive trees and cypresses; renovation works lasted nearly two years.


Images courtesy of Ricardo Bofill
“To be an architect means to understand space, to understand space organised by [people], to decipher the spontaneous movements and behaviour of people, and to detect the needs of change that they might unconsciously express. It is essential to track down these issues if we want to contribute with our personal work to the history of architecture.” Ricardo Bofill
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Then there are all the reasons why “Dunedin” failed to adapt and re-purpose elements of the Maltexo industrial complex in Ward St…
27.1.11 Good-bye to MALTEXO, Ward Street – Dunedin Harbourside
6.2.11 Hurt inside
And why the Barron Building of Rattray St and a few others in the immediate area may be transparently viewed as working examples of ‘demolition by neglect’. We have the list, we have the addresses, we know the names…
12.4.11 Public outrage – SHAME on those re$pon$ible for building neglect
For further posts and comments on the Barron Building, enter “Barron” in the search box at right.
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### radionz.co.nz Sunday, 17 April 2011 8:12am
Insight: Heritage Buildings
When it comes to heritage buildings, there’s no shortage of people who want to keep them standing. Supporters argue they are important to a region’s history. But Dunedin correspondent, Lorna Perry asks should the building’s owner be solely responsible for the cost of heritage or should the public be footing more of the bill?
Audio Ogg Vorbis MP3 (duration: 27′48″)
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Posted by Elizabeth Kerr
Filed under Architecture, Construction, Design, Economics, Geography, Heritage, Inspiration, People, Pics, Project management, Site, Urban design